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For this essay, you are going to examine the characterizations and portrayals of the living dead in television and/or film. Specifically, you will analyze the social and/or political overtones evident in these movies or shows, focusing on one or two cultural products such as "Night of the Living Dead," "Dawn of the Dead," "Day of the Dead," or "The Walking Dead" series. You should briefly describe the general plot of the selected work(s), analyze how zombies are classified by the still-living (as nuisances, plagues, divine retribution, or other), and discuss the effects of the zombie outbreak on survivors. Examine whether the zombies symbolize or allude to other cultural or societal issues, and identify any significant scenes, dialogues, or lines that highlight these themes within their historical context. Additionally, investigate the social, political, or economic factors during the time these works were created and explore how these influences might shape the zombie representations. Determine whether the artifacts have more social, political, or religious overtones and analyze how these affect zombie portrayals. The essay should be a minimum of three pages, double-spaced, in 12-point Times New Roman font, written in third person, with at least two reputable non-textbook sources cited in MLA format. It must be submitted by November 5th in class.

Paper For Above instruction

The depiction of the living dead in horror films and television series offers more than mere entertainment; it serves as a mirror reflecting societal anxieties, political climates, and cultural shifts. Focusing on key works such as George A. Romero’s "Night of the Living Dead" and the television series "The Walking Dead," we can explore how these portrayals embody social and political overtones that resonate with their respective eras. These cultural artifacts highlight fears related to societal collapse, government failure, and the breakdown of social order, often intensified by contemporary issues such as racial tensions, consumerism, or economic instability.

"Night of the Living Dead" (1968) is generally recognized as a pioneering horror film that introduced the zombie genre to mainstream audiences. Its plot revolves around a group of survivors trapped in a farmhouse amid a zombie outbreak, with the zombies depicted as mindless, consuming entities. The film subtly critiques racial injustice; the African American character, Ben, emerges as a leader, challenging the stereotypes and prejudices present in American society at the time. The film’s portrayal of zombies as a looming threat can be interpreted as an allusion to societal fears of invasion and chaos, reflecting Cold War anxieties and fears of societal decay.

Similarly, in "Dawn of the Dead" (1978), the zombie outbreak is set against a backdrop of consumerism and materialism. The survivors take refuge in a shopping mall, symbolizing how society’s obsession with consumption can lead to moral and social degeneration. This setting evokes a critique of late 20th-century American consumer culture, suggesting that mindless consumption contributes to societal downfall. The zombies, regarded as a nuisance or a deadly virus, embody the uncontrollable spread of consumerist values, and scenes depicting survivors hoarding goods or fighting over commodities critique material greed.

"The Walking Dead," a television series that debuted in 2010, expands on these themes, illustrating how societal structures fracture under the pressure of the zombie apocalypse. The series portrays zombies as symbols of the collapse of social order, with survivors forming new communities and facing moral dilemmas. The series reflects contemporary concerns about government authority, security, and morality in times of crisis, paralleling real-world political uncertainties such as economic recession and social unrest. Key scenes, such as the conflict at the CDC or the rise of threatening factions like the Governor’s group, underscore themes of power, fear, and resilience.

Throughout these works, zombies serve as more than monsters; they are potent symbols of societal anxieties. For instance, the racial allegories in George Romero's films critique racism and social division, while the consumerist critique in "Dawn of the Dead" questions materialism’s role in societal decay. The political and economic contexts of their creation—the Civil Rights Movement, the Cold War, late 20th-century capitalism, and 21st-century economic crises—profoundly influence zombie portrayals. These cultural artifacts often carry religious overtones as well, with some depictions portraying zombies as reanimated beings, reflecting fears of death and divine retribution or the consequences of playing with forbidden knowledge.

In conclusion, the portrayal of the living dead in horror cinema and television functions as a mirror to societal fears and political issues. The evolution of these representations from mindless monsters to symbols of societal collapse and moral decay illustrates how deeply embedded these cultural artifacts are within their historical contexts. By analyzing these works through social, political, and religious lenses, it becomes evident that zombies serve as a versatile metaphor for examining societal values, fears, and contradictions both past and present.

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