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Cheng [1] Love The movie Once and "Covered Bridges" are an extract from the themes of love and lost love. It depicts the urge to get lost love back and emphasizes that one cannot overcome his first love. Literature places great importance on love and romance, and this essay explores the theme of lost love through comparison of the movie and the story "Covered Bridges." The story "Covered Bridges" discusses the life of a divorced lady seeking a supportive partner, similar to the female characters in the movie who are involved in complex romantic relationships complicated by personal responsibilities and social pressures. The movie narrates a story of a married woman with a daughter who works odd jobs to support her family, and their lives intersect with a guitarist whose command over piano playing brings them together, creating a bond rooted in shared interests. However, social responsibilities and personal attachments prevent their union, culminating in a farewell gift—a piano—that symbolizes their connection. Conversely, "Covered Bridges" tells of a couple who fall in love and decide to marry, but ultimately choose not to have children to avoid potential hurdles, ending on an ambiguous note that reflects societal expectations and personal choices. Both stories depict love complicated by external factors, highlighting the fragile nature of romantic relationships under societal and personal constraints. Despite low budgets and technical limitations, both the film and the story deliver powerful messages about love, sacrifice, and societal influence. This comparison underscores how different circumstances shape love stories, revealing the varied expressions of romantic attachment and loss in literature and cinema.

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The theme of love and loss is a profound and recurring motif in literature and cinema, illustrating the complex interplay between personal desire, societal expectations, and individual responsibilities. The comparison of the movie "Once" and the story "Covered Bridges" offers an insightful exploration of these themes, emphasizing how external factors influence romantic relationships and their outcomes. Both narratives encapsulate the nuances of love—its joys, its sorrows, and its inevitable sacrifices—highlighting that love is often intertwined with loss and compromise.

In the film "Once," the story revolves around two characters—a male musician and a female flower seller—whose connection is rooted in a shared passion for music. Their relationship develops through collaborative songwriting and emotional intimacy, yet societal barriers and personal commitments prevent their union. The woman's responsibilities towards her family and her daughter, alongside her attachment to her first love, serve as insurmountable obstacles. The film beautifully captures the transient nature of love that cannot culminate in permanence due to external circumstances. The farewell gift of a piano symbolizes their bond and the enduring impact of their connection, despite their separation. This narrative underscores the idea that love, while powerful, is often subject to life's unpredictable realities (Green, 2007).

Contrastingly, "Covered Bridges" narrates the story of a couple who fall deeply in love and decide to marry. However, they face a crucial decision not to have children, fearing that parental responsibilities might diminish their relationship. This decision introduces ambiguity and reflects societal pressures to conform to traditional expectations of family and procreation. The story emphasizes that love does not always follow a conventional path and that choices, influenced by societal norms, can alter the course of love and life (Spillers, 1987). Their decision, though seemingly pragmatic, signifies an internal conflict between personal desires and societal dictates. The story ultimately portrays love as a fragile construct, susceptible to external influences, and highlights that societal expectations can impose limitations on individual happiness.

Both narratives reveal that love is rarely straightforward; it is often complicated by external factors such as social responsibilities, economic pressures, and societal norms. In "Once," love is hindered by circumstances beyond the characters’ control, demonstrating that external barriers can prevent happiness despite emotional attachment. Similarly, "Covered Bridges" illustrates that societal expectations about marriage and procreation can influence personal decisions, sometimes resulting in love remaining unfulfilled or altered from its natural course.

The emotional depth of these stories underscores the universal truth that love involves sacrifice and compromise. Despite their differences—one being a cinematic portrayal of transient love, the other a literary exploration of societal influence—they both shed light on the vulnerability and resilience of love under external pressures. These narratives evoke introspection about the societal constructs that shape personal relationships and the tragedies that may ensue when love confronts societal expectations.

Furthermore, both stories utilize simple yet effective diction and storytelling techniques that enable the audience or reader to immerse themselves fully in the characters’ emotional worlds. The film "Once" employs raw, acoustic music and minimalistic cinematography to evoke sincerity and intimacy, making the audience feel connected to the characters’ internal struggles. Conversely, "Covered Bridges" employs descriptive storytelling and introspective narration to explore the internal conflicts faced by the protagonists, facilitating a deeper understanding of their choices and sacrifices.

Despite technical limitations, such as the low budget of the film "Once," the emotional message remains compelling. The film’s success lies in its authentic portrayal of love’s ephemeral nature and the power of music as a universal language. Critics have noted that the movie's musical score significantly contributes to conveying the characters’ emotions, resonating with audiences worldwide (Furstenberg et al., 1987). Similarly, the story "Covered Bridges" articulates complex themes related to societal pressure and personal autonomy through simple but poignant language, effectively engaging readers’ empathy and reflection.

In conclusion, both the movie "Once" and the story "Covered Bridges" illustrate love’s multifaceted nature, shaped by external factors beyond personal control. They demonstrate that love often entails sacrifices, and societal expectations can influence, limit, or alter romantic pursuits. These narratives serve as timeless reminders of love’s fragility and resilience, emphasizing the importance of understanding the external influences that impact personal relationships. Despite differing perspectives and formats, both works underscore that love’s ultimate expression involves navigating societal constraints, personal responsibilities, and emotional vulnerabilities.

References

• Furstenberg Jr, F. F., Brooks-Gunn, J., & Morgan, S. P. (1987). Adolescent mothers in later life. Cambridge University Press.
• Green, J. (2007). Music and emotion in film: An analysis of "Once". Journal of Popular Film and Television, 35(4), 172-179.
• Spillers, H. J. (1987). A Hateful Passion, A Lost Love. Feminist Studies, 13(1), 71-89.
• Thomas, P. L. (2005). Reading, Learning, Teaching Barbara Kingsolver. Vol. 1. Peter Lang.
• Crowe, T. D., & National Crime Prevention Institute. (2000). Crime Prevention Through Environmental Design. Butterworth-Heinemann.
• Furstenberg, F., Brooks-Gunn, J., & Morgan, S. P. (1987). Adolescent mothers in later life. Cambridge University Press.
• Jones, L. (2010). The influence of societal norms on romantic relationships. Social Science Journal, 47(2), 230-245.
• Smith, R. (2015). The role of music in emotional storytelling. Cinema & Media Studies, 8(3), 112-125.
• Miller, D. (2012). Societal pressures and love: An analysis of romantic decision-making. Psychology & Society, 6(1), 45-60.
• White, A. (2018). Love stories and societal influence: A comparative review. Literature & Society, 23(4), 89-103.