Fade In Valley Avenue Vehicles Are Moving At A Lightning Spo

Fade Invalley Avenuevehicles Are Motioning At A Lightning Speed Beep

Fade Invalley Avenuevehicles Are Motioning At A Lightning Speed Beep

FADE IN: VALLEY AVENUE Vehicles are motioning at a lightning speed. Beeps and alarms deafening the air. Streets are full of pedestrians going and coming. On a pavement, a homeless man is seated on tattered sackcloth while playing on his guitar. People are circling around him.

Man (V.O.): Once man of streets, always a man of world. You belong nowhere, but you are here x2 Love it when they give a dime. I dine and wine. I like it this way. Why they are not coming. I love praying. Man pauses and looks through the crowd… smiles and continues rapping: “Con I am, scamming everything I do. Life too hard u gatta lie to survive. Me am here doing what I do best. That me, go kill yourself if you don’t agree.” Man stops rapping and looks up to the people as if appealing for help.

A lady in high heels steps close. Lady (V.O.): Patting the homeless man on his shoulder, says “Wow, you’ve a golden voice buddy. Where did you learn to sing? I never knew you could produce such great lines”. She drops 20 dollars in his bowl and walks away. A guy, dropping 100 dollars in the bowl, says: Guy (V.O): “He is just too great and talented to be on streets.” Crowd of people continue clapping and laughing.

On SCREEN, bold writings appear flashing: “The man had attracted attention from the pedestrians.” He laughed singing. He knew he was great at it but he knew one thing for sure: he was going nowhere. He had no future. He had no friends. He had no dollar. He was poor and pathetic. His life was only but belonged to streets. He was homeless and his talent was nothing but a talent of dream world.

Man (V.O.): “But why?” On SCREEN, bold writings continue flashing: “He knew he couldn’t make it in the mainstream studios, he could sing to the passage-bys.” Nerve of happiness tickled throughout his body and he felt like crying. The joy was overwhelming him but he felt bad. He was worthless. He was weak and sick. His body was frail and feeble. His clothes were ragged. He was dirty and stinking. For many years, he had been on this street – Valley Avenue – doing one thing he was good at: begging, singing to the passersby, and if moved by his voice, they gave him a dime. That’s what he knew best. That was his livelihood.

Man (V.O.): “If I were to be interviewed by the so-called mainstream media about the challenges of this ‘job,’ I could narrate them with great clarity.” Man closes his eyes and starts imagining an interview.

He sees himself on ABC CHANNEL, having a conversation with James, reality show host (V.O):

SCENE: ABS CHANNEL. TIME: EVENING. James: “Welcome to the show. Our guest today is Mike, a guy who has not been fortunate enough to own a house. For lack of words, Mike is a streets urchin. Welcome to the show, Mike.”

Mike: “Thank you.” James: “Tell us, what challenges do you face on the streets?” Mike: “Many challenges for sure. You know, I make nothing during rainy seasons. You got no people to sing to. Sometimes my bed gets soaked in water. You don’t know where to sleep. You are hungry, no food. I am suffering for sure. But what should I do? I must learn to bear it. It’s stressful, depressin’ outta here. Sometimes people are reluctant to give a dime. Others mock you. Silly boys and girls may hurl insults at you when you’re busy singing to the crowd. Yeah, many problems for sure, you know what I am saying. I appeal to the federal government to address the grievances of homeless people. We are really suffering. Look at these children. They have no parent, no sibling, no uncle, no auntie, no cousin. They have no future. How shameful, and we have a government in place. Is it not the role of the federal government to care for the lives of its citizens—the taxpayers? You gatta do something about it as media.”

He continues imagining the conversation: “Peace out.” He is still seated there at the pavement, staring at the passersby murmuring in low voices. When he’s done singing, he puts his guitar back into its bag. When the people move away, he leans over, grasps the bowl, and starts counting the money. MIKE (V.O.): “Wow, good God.” He smiles after counting the pennies in the bowl. It totals $200.

MIKE (V.O.): “People are generous. Thanks to you, Jesus, Son of Great God.” He then notices a small piece of paper beneath the bowl and reads it:

MIKE (V.O): “Hey buddy, I was once like you. Beggar on streets. But I made it in life. I am now the king in New York. Listen, dude, I am rich and you too can become rich. I want to change your life. I can say that I am moved by your golden voice. For many days I have been stopping here to listen to you singing, and you know what? You’re amazing. You got talent, bro. Find me. Reach me through this contact: (. Peace out.”) MIKE (V.O.): “What the hell?”—he’s surprised and happy at the same time. MIKE (V.O.): “There is somebody out there who has interest in my singing.” MIKE (V.O.): “But how do I get in touch with him? I have no phone. No nothing. Perhaps, you could have written down your name. Maybe I can find out who you are. But mind me, I will find you. New York is my home.” Darkness creeps in. The sun is setting behind the mountains. The homeless man begins preparing his “bed”—a ragged sack and an old blanket. Streets are busy—cars speeding, police taking bribes, people hastening home. MAN (V.O.): “Hey, you can’t be serious, Mike. You wanna sleep at this early?” Mike looks up to see his friend, John Vukovich. MIKE (V.O.): “No, just preparations, you know. Besides, I’m an old fella, ain’t no energy for night.” JOHN (V.O.): “Come on, you mind catching some drink? Have some bucks and I’m gonna quench my quest. Streets are stressing. Homeless men have to dine.” MIKE (V.O.): “Kinda funny for us, but I’m tired. Playing guitar for two hours tops. Just wanna take a nap.” JOHN (V.O.): “Hell no, I know you’re stingy… I’m the one buying the booze. Let’s go, please I beg.” JOHN (V.O.): “Hahaha, beggin’ again, and you’re a beggar, homeless hobo on streets. What’s our fate, anyway...” Scene shifts to: CLUB. MIKE (V.O.): “What’s happening… uptown?” JOHN (V.O.): “Not much, usual—rich getting richer, poor getting poorer, losing more and more houses to them. You know them.” MIKE (V.O.): “Of course I know them. Sorry, man, but be strong. Wind’s gonna blow harder.” They both laugh. JOHN (V.O.): “And you have got no torch to shine your path yet?” MIKE (V.O.): “Still looking up to my God. He created me, He must have plans for me.” JOHN (V.O.): “Sure, bro, one day you’ll make it. I know you can sing.” MIKE (V.O.): “You know what? God might have finally illuminated my path. Today I have a mystery note. It was left in my bowl. Here you go.” JOHN (V.O.): “This guy seems serious. He’ll surely help you. You’ve found him.” But where do I get him?” A man in dark sunglasses taps Mike on his shoulder. MIKE ((V.O.): “Oh my God, you!” The man’s name is Bowieh Taylor. Bowieh Taylor (V.O.): “Hell yeah, me. Have been following you for long, and man, you can sing. Do you want to make your dream come true and leave the street?” JOHN (V.O.): “Absolutely yes. He’s in for it.” MIKE (V.O.): “Seems difficult, guys. You know, I don’t. You see…” JOHN (V.O.): “Come on, Mike, this is your lifetime chance. You can’t lose it.” Bowieh Taylor (V.O.): “Mike, you do know what Drake makes per year? $2bn. And he started small and finally shot to the roof. Today, he lives as a king with queens. There is dollars in your lines. There is a future in your head. You’ve got talent. Don’t sleep on it. I am here to help you. Many who I have coached are now living great. Make up your mind. Don’t let this opportunity slip out of your hands.” JOHN (V.O.): “You heard him, Mike. Let’s do this.” Bowieh Taylor (V.O.): “Hey guys, I am in a hurry. Here’s my business card. Come to my office tomorrow. Let’s sign a deal immediately.” The man excuses himself and leaves. JOHN (V.O.): “Right. I was telling you. You’ll make it, Mike.”

ON SCREEN, writings appear: “FIVE years LATER”

SCENE: Grand Shell Hall, New York City.

The hall is dark. Neon lights are shining. People are deeply engaged, yelling and shouting. MIKE is rapping (V.O): “Not what you do, but what you think that makes the folk you’re. I am not great, I am not good. But I am a man doing my thing. Rebuke me not. Mock me not. I do what I do to be the best I can become. Man is a mistake. Creativity an genius. Hail His Most High. I look back, I see a forlorn life; I look ahead, I see a world of possibilities. Do your best, mind not losses. Hail Taylor, my life he tailed. My buddy John, many journeys we've go.”

FANS (V.O): “Huuuhuuuh, prrrr… bravo, bravo, that’s my doll.” MIKE excuses himself and disappears from the stage. TAYLOR (V.O): “Yo man, that was great.” MIKE (V.O): “Thanks, man. You’ve made me the person I am today.” TAYLOR (V.O): “Anytime, bro. I saw talent and had to help. And we got another deal. It’s an international deal. I’ve signed a million-dollar contract with Great Lodges Heights, a top hotel in London. You’re flying to the UK next month.”

MIKE (V.O): “Like for real? I can’t believe it. Me, in London… oh my God, what a lucky buddy. Thanks, man.”

FADE OUT. THE END

Paper For Above instruction

This narrative depicts the poignant journey of a homeless street singer, highlighting themes of talent, hope, despair, and the pursuit of a better life. Through vivid storytelling, the story explores the harsh realities faced by individuals living on the streets, the moments of unexpected kindness, the allure of newfound opportunities, and the transformative power of faith and perseverance.

The story begins with a vivid depiction of Valley Avenue, where a homeless man performs on the streets amidst urban chaos, attracting the attention of passersby with his golden voice. Despite the applause and monetary tips, he remains aware of his bleak future—convinced that his talent remains confined to street performances and dreaming of mainstream success remains distant. His internal monologue reveals his sense of hopelessness, but also a resilient desire to dream beyond his circumstances.

A pivotal moment occurs when a generous lady and a man leave monetary tips and a mysterious note, offering the homeless singer a chance to rise from obscurity. The note hints at a successful life beyond the streets, indicating that talent can open doors to opportunity if seized wisely. The protagonist’s reaction reflects a mixture of surprise and hope, igniting a new belief that fate might be turning in his favor.

Imagination plays a major role as the homeless man envisions himself being interviewed on national television, articulating the struggles of street life and calling on government intervention. This segment underscores the stark contrast between his current reality and the aspiration of fame, emphasizing the social issues surrounding homelessness and the potential of talent to serve as a vehicle for change. His reflections underscore the importance of societal support for marginalized groups.

The narrative shifts to his interaction with friends and the anticipation of a significant encounter with a potential benefactor—Bowieh Taylor—who recognizes his talent and offers a promising future. The storyline portrays the common theme of mentorship and opportunity as essential catalysts for social mobility. The protagonist is faced with a choice—continue to suffer in poverty or grasp the chance for a new beginning.

Following the decision to pursue this opportunity, a time jump illustrates the protagonist’s rise to fame, culminating in a grand performance in New York City. The story concludes with him acknowledging the mentorship of Taylor and celebrating his newfound success in London, symbolizing the realization of his dreams through perseverance, faith, and opportunity.

This story underscores critical themes of perseverance amidst adversity, the significance of chance encounters, and the transformative potential of talent. It advocates for societal awareness concerning homelessness, while illustrating how individual resilience and external support can alter destinies dramatically. The narrative beautifully encapsulates the journey from despair to triumph, serving as an inspiring reminder of the latent potential within marginalized individuals when given opportunity and hope.

References

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