Haochuan Tang Professor Xiuwu Liu Quotation Book

Haochuan Tangprofessor Xiuwu Liuchi 2531142019quotationbook Hisach

Haochuan Tang Professor Xiuwu Liu CHI /4/2019 Quotation: Book: Hisa Chapter 11: The Romance of The Three Kingdoms; Kuan Yu’s downfall and death kuan yu's downfall and death are recounted in some of the finest chapters of the novel. an aging warrior, he is reaching the pinnacle of his fame but also exhibiting the most impossible haughtiness and folly. Question: What was the purpose of further developing the character even though he was willed with flaws such as his arrogance and irrationality? Acuity to the historical data would be sufficient in the development of Kuan Yu to the reader. The concept of developing a hero escapes the purpose of the narrative; however, it can be speculated that the concept of heroism according to Lo Kuan-chung relies on both historical and folk details. introductions Discussion questions on the reading: typed, single- or double-spaced; due every class with a reading (16 altogether). For each class with assigned reading, do the reading beforehand and write down at least one question for class discussion. To provide proper context for your question, add at least one quotation from the reading including the page number. Be thoughtful and specific. Depending on its quality, your submission will receive full credit (FC), half credit (HC) or no credit (NC). Read HSIA Page67-74, and ask one question for you don’t understand(There is no need for you to summarize a question for the whole article, which may be a sentence or a paragraph in the original text), must least quotation from the reading including the page number, look example I update.

Paper For Above instruction

The development of characters within classical Chinese literature, particularly in legendary narratives such as Luo Guanzhong’s "Romance of the Three Kingdoms," offers significant insight into cultural perceptions of heroism and morality. The character of Kuan Yu (Guan Yu), one of the most revered figures in Chinese history and literature, exemplifies this intricate blend of historical fact and folkloric embellishment. Despite his flaws, including arrogance and irrationality, his character is further developed to serve multiple narrative and ideological purposes, which collectively enrich the understanding of heroism in Chinese tradition.

Guan Yu’s portrayal as an aging warrior reaching the apex of his fame encapsulates both admiration and tragic flaw. His haughtiness and folly, especially in his later years, embody the human vulnerabilities that even the most revered heroes possess. This layered characterization aligns with the Confucian ideal that truly heroic figures embody not only martial prowess but also moral integrity and humility. The purpose of emphasizing these flaws, despite the risk of seeming irrational or overly humanized, is to create a more realistic and relatable hero. It reminds the reader that heroism is not the absence of flaws but the mastery of them.

From a narrative perspective, Luo Guanzhong’s inclusion of these imperfections serves to deepen the moral and philosophical themes of the story. His development of Guan Yu’s character, despite his flaws, aligns with the traditional Chinese notion that greatness is intertwined with human imperfection. This concept is echoed in the quote from the reading where Guan Yu’s expansive and complex personality is highlighted (Hsia, pp. 67-74). As Luo illustrates, heroism in Chinese culture is often rooted in both historical deeds and folk ideals, making Guan Yu a hybrid figure embodying both these dimensions. Such character complexity fosters a more profound appreciation of heroism as a human trait, rather than an idealized, unattainable virtue.

Furthermore, the additional development of Guan Yu’s character accentuates the cultural narrative that heroes are as much human as they are symbols of moral righteousness. The narrative purpose behind this portrayal is not merely to recount historical deeds but to explore the moral virtues that define a hero — loyalty, righteousness, and bravery — alongside the imperfections that make such figures exemplary rather than divine.

In conclusion, the continued development of Guan Yu’s character with his flaws and virtues serves multiple narrative and cultural functions. It humanizes the hero, making his moral victories more meaningful, and reflects the complex nature of heroism according to Chinese literary and philosophical traditions. Luo Guanzhong’s portrayal thus underscores that true heroism involves embracing both strengths and weaknesses, and that such nuanced characterizations are essential for a comprehensive understanding of heroism in Chinese culture.

References

• Luo Guanzhong. (14th century). Romance of the Three Kingdoms. Translated by C. H. Brewitt-Taylor, 1925.
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