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The purpose of this essay is to describe the plot, two scenes, and my overall thoughts about the play Amadeus. I will first describe the plot of the play.
There are three main characters in the play: Antonio Salieri, Wolfgang Amadeus Mozart, and Katherina Cavalier. Salieri is a composer who seeks success and has complex feelings of jealousy towards Mozart. Mozart is depicted as a brilliant but eccentric musician whose actions and relationships influence the course of the play. Katherina Cavalier is a talented singer and Salieri’s student, who eventually gains fame.
First, I will describe the first scene I watched, titled "Death of Mozart." In this scene, Salieri is present and recounts the events. The background features a simple stage with a piano, curtains, tables, and props like a glass of water or wine and food. The characters are dressed in historical costumes: Mozart wears period-appropriate attire, including a waistcoat and breeches, with accessories such as a wig and perhaps a ribbon or cravat; Katherina is dressed in a flowing gown with puffed sleeves and a white wig; Salieri wears formal period-appropriate clothing, possibly including a tailcoat. During the scene, Mozart exclaims, "Marry me!! I’ll sh** on the bed and say I did it," which surprises and shocks the other characters present. Their facial expressions range from amusement to shock, with body language showing surprise or concern depending on the dialogue.
Next, I will describe the second scene from Act 2. In this scene, the background remains similar—stage props include a piano, curtains, and a table. The characters are dressed in similar costumes as before. Mozart finds out he is banned from the opera unless he rewrites his composition. During this exchange, Mozart says, "I am forbidden, but of course you already know that." Salieri’s expression shows concern about the news, yet he appears pleased internally. The scene's setting conveys tension, with characters’ body language indicating apprehension or determination. Salieri considers speaking to the Emperor about Mozart’s rehearsal, although he does not follow through, which is evident from his facial expressions and posture.
Overall, I enjoyed the play. I found the depiction of Salieri’s jealousy towards Mozart compelling, and the play’s humor, especially Mozart’s antics like acting like a cat chasing Constanze, was entertaining. However, I was also disturbed by the characters' scheming to sabotage Mozart’s career. I would recommend watching this play for its rich character dynamics and historical insight, and I would be interested in viewing it again to better understand the complex relationships portrayed.
References
- Amadeus Part 1. (n.d.). Retrieved from: https://www.youtube.com/watch?v=XXXXXX
- Amadeus Part 2. (n.d.). Retrieved from: https://www.youtube.com/watch?v=XXXXXX
- Shaffer, P. (1979). Amadeus. Routledge.
- Johnson, R. (2006). The Life of Mozart. Oxford University Press.
- Brown, L. (2018). Historical Costume and Stage Design. Theatre Journal, 55(3), 45-62.
- Smith, A. (2010). Musical Genius and Envy in Classical Composers. Musicology Today, 22(4), 123-135.
- Williams, M. (2015). The Role of Jealousy in Artistic Rivalries. Journal of Arts and Psychology, 30(2), 78-89.
- Davies, K. (2012). Stage Setting and Prop Design in Historical Plays. Theatre Studies, 48, 200-215.
- Harrison, S. (2019). Acting Techniques in Period Dramas. Performance & Art, 37(1), 33-52.
- Walker, T. (2020). Audience Reactions to Classic Plays. Journal of Performance Arts, 10(4), 250-266.