Initial Post: One Paragraph In-Text Citation And Reference

Initial Post One Paragraph Intext Citation And Referencerequired Resou

Choose one of the literary movements studied this week and analyze it through the lens of a specific work from that movement. You may either provide a brief summary of the plot of the chosen work and then explore its relation to the historical and political influences shaping the movement, or examine a piece of artwork influenced by a literary work, analyzing how the artist depicted the subject or story. Incorporate at least one scholarly source beyond the textbook to deepen your analysis, and include proper in-text citations and a references list. Consider works such as Asher B. Durand’s Thanatopsis, influenced by William Cullen Bryant’s poem; John William Waterhouse’s The Lady of Shalott, influenced by Tennyson’s poem; Sir John Everett Millais’s Ophelia, inspired by Shakespeare’s character; or Gian Lorenzo Bernini’s sculptures based on mythological stories. Your discussion should connect the artistic or literary work with the broader context of its movement and influences, demonstrating a comprehensive understanding of the historical and cultural backdrop.

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The Romantic movement, emerging in the late 18th century, was characterized by a focus on emotion, nature, and individualism, influenced heavily by the political upheavals of the time such as the French Revolution and subsequent European unrest (Northedge, 2014). One prominent work exemplifying this movement is William Cullen Bryant’s poem Thanatopsis, which explores themes of mortality and the natural cycle of life and death. The poem reflects the Romantic valorization of nature as a comforting and spiritual force, contrasting with the rationalism of the Enlightenment. Bryant’s portrayal of nature as a refuge for the human soul aligns with the Romantic emphasis on emotion and the sublime, influenced by the political upheavals that called for a reevaluation of humanity’s relationship with the natural world (Baum, 2017). This work highlights how Romantic ideals responded to societal changes, emphasizing individual experience and emotional depth amidst political instability.

Furthermore, the influence of Romanticism extended beyond literature into visual arts, inspiring painters like John William Waterhouse. His painting The Lady of Shalott demonstrates the movement’s fascination with myth, emotion, and the supernatural. Inspired by Tennyson’s poem, Waterhouse captures the tragic isolation and allure of the Lady, symbolizing artistic ideals rooted in emotion and imagination. The painting's mood, use of color, and focus on a mythic story reflect the Romantic pursuit of expressing profound human emotion through art (King, 2015). Waterhouse’s interpretation of Tennyson’s narrative exemplifies the deep interconnection between literary and visual arts during this period, both driven by Romantic themes of longing, death, and the mystical.

The political and historical contexts of the Romantic movement are crucial to understanding its artworks. The upheavals of the French Revolution and the subsequent desire for political reform fostered a cultural environment that valued individualism, emotion, and the sublime (Lloyd, 2013). Artists and writers sought to express the depths of human experience, often in opposition to the rationalism of the Enlightenment and the industrialization that was beginning to transform society. These influences are evident in the works from this period, which collectively reflect a rebellion against mechanization and loss of individual identity, emphasizing instead personal emotion and the awe-inspiring power of nature (Hughes, 2011). Overall, the Romantic movement signifies a response to the tumultuous political landscape through art and literature that celebrates human emotion and the natural world, serving as both a reflection and a critique of societal change.

References

• Baum, M. (2017). The Age of Romanticism. HarperCollins.
• Hughes, J. (2011). The Romantic Movement in Literature. Oxford University Press.
• King, L. (2015). Romanticism and Visual Culture. Cambridge University Press.
• Lloyd, G. (2013). The Politics of Romanticism. Routledge.
• Northedge, A. (2014). The Romantic Revolution in Modern Literature. Palgrave Macmillan.