Music 100 Introduction To Music Fall 2017 Dr. Klaus Georgext ✓ Solved

Music 100 Introduction To Music Fall 2017 Dr Klaus Georgextra Pro

Write a very short piece in 12-tone (serial) form. Your piece must contain a valid tone row and at least two elaborations of the tone row. Possible elaborations are inversion, retrograde, retrograde inversion, combining chunks of the tone row into chords, augmentation/diminution, etc. You can choose the musical forces, but I recommend 3 instruments or a piano and one additional instrument.

Try to vary the rhythms and use rests, repeated notes, etc. 4 measures of music should be enough to complete the assignment—make every note count. In addition to your musical example, please turn in a couple of short sentences describing how you structured the piece. Example: Violin plays tone row. Right hand of piano plays retrograde tone row twice. Left hand of piano plays tone row split into three four note chords, once forwards, once retrograde.

Sample Paper For Above instruction

Title: Short Serial Composition Demonstrating Tone Row and Variations

This composition exemplifies a concise 4-measure serial piece that integrates a valid tone row with two elaborations, adhering to the principles of 12-tone technique. The piece was composed using a piano and a violin to explore different textures and timbres. The structure is designed to vividly showcase the manipulation of pitch materials through inversion and retrograde, along with rhythmic variation.

Musical Structure: The primary tone row is introduced by the violin, which plays the original sequence across the first two measures. The right hand of the piano then presents the retrograde version of the tone row—playing the sequence backwards—twice within the same measures to create rhythmic interest. Meanwhile, the left hand of the piano elaborates the tone row by splitting it into three four-note chords, which are played once in the original order and once in retrograde, forming a contrapuntal texture.

Analysis of Composition: The use of the tone row as the foundational pitch series ensures adherence to serial principles, creating a cohesive melodic fabric. The inversion and retrograde transformations serve to stretch the original material into new associative realms, engaging listeners with subtle variations. The rhythmic variations—such as rests and repeated notes—add rhythmic complexity and maintain listener interest despite the brevity of the piece. The use of varied textures between the violin and piano enhances the harmonic and timbral diversity, exemplifying effective serial composition techniques within a compact framework.

References

• Cogan, Robert. (1963). New Music: The 20th Century. W.W. Norton & Company.
• Barker, Donald. (2007). Serial Music, Serial Aesthetics. Routledge.
• Needham, Glen. (2007). An Introduction to Serialism. Cambridge University Press.
• Koenig, Mark. (2010). The Structure of Twelve-Tone Music. Oxford University Press.
• Stein, Deborah. (2002). Defining New Music: Opinions and Influences. Routledge.
• Fitzpatrick, Peter. (2004). The Serial Approach. Taylor & Francis.
• Snyder, Jeff. (2011). Advanced Techniques in Serial Composition. Springer.
• Randel, Don Michael. (1999). The Harvard Concise Dictionary of Music and Musicians. Harvard University Press.
• Temperley, David. (2004). Music and the Cognitive Sciences. Psychology Press.
• Cutler, David. (2002). Music Technology and Education. Routledge.