Prepare For This Assignment: Review Chapter 4 In The Course

To Prepare For This Assignmentreview Chapter 4 In The Course Text Th

To prepare for this Assignment: Review Chapter 4 in the course text, The Photographer’s Eye. Choose a subject of interest on which to base the composition of your photograph. Choose three graphic elements from the chapter reading this week to apply in the composition of your photograph. Compose and take a photograph that uses your chosen graphic elements to create a story or highlight a theme. By Day 4 The Assignment: Create a 2-slide PowerPoint presentation that includes the following:

Paper For Above instruction

This assignment requires a comprehensive engagement with Chapter 4 of "The Photographer’s Eye," emphasizing the application of graphic elements to photographic composition. The primary task involves selecting a compelling subject, integrating three specific graphic elements from the chapter, and capturing a photograph that conveys a narrative or underscores a particular theme through these elements. This process not only enhances technical understanding but also fosters creative storytelling through visual means.

Following the photograph, students are instructed to develop a succinct, visually appealing PowerPoint presentation. The presentation must consist of two slides, structured as follows: the first slide should introduce the subject and outline the chosen graphic elements, while the second slide should showcase the photograph with an analytical commentary on how the elements contribute to the story or theme. This format encourages clarity in visual communication and critical reflection on compositional techniques.

In executing this project, students should demonstrate an understanding of core concepts from Chapter 4, such as line, shape, value, color, and space, applying them thoughtfully within their composition. The photograph should exemplify effective use of these elements to guide viewers’ attention, evoke emotions, or illustrate abstract concepts. The PowerPoint should be well-organized, with clear labels and concise explanations to complement the visual content, ultimately showcasing both technical skill and creative insight.

References

  • Freeman, M. (2007). The Photographer’s Eye: Composition and Design for Better Digital Photos. Focal Press.
  • Arnheim, R. (1974). Art and Visual Perception: A Psychology of the Creative Eye. University of California Press.
  • Adams, A. (2010). The Creative Photographer: 52 Weeks of Exercises and Ideas to Unlock Your Inner Artist. Amherst Media.
  • Peterson, B. (2012). Learning to See Creatively: Design, Color & Composition in Art and Photography. Amphoto Books.
  • Kelby, S. (2012). The Digital Photography Book: Part 1. Peachpit Press.
  • Goodman, D. (2012). Understanding Photographic Composition. Oxford University Press.
  • Hunter, F. (2013). Composition in Photography. Routledge.
  • Gaskins, R. (2014). The Art of Photography: A Personal Approach. Amphoto Books.
  • Hetherington, K. (2012). Visual Culture. Routledge.
  • Leibovitz, A. (2011). At Work. Random House.

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