Proposal Of This Paper Due Sunday 18 Midnight ✓ Solved
The Proposal Of This Paper Due On Sunday18 Midnightproposal Guideli
The proposal of this paper due on Sunday(1/8) midnight Proposal guidelines: 1, Because we've allowed for more topics this time around, list which topic you've chosen(doppelgà¤ngers in option A, or one of the other elements from option B). 2, What three texts are you using? It’s fine if you change your mind as we continue reading throughout the week. 3, What is your central research question? 4,What is your hypothesis (or guess)about the answer? 5, Questions drive analysis! List at list 4 supporting questions you hope to answer or explore in this paper. Final Paper: Due Thursday, 1/11 midnight Option A: Analyze why Gothic texts employ doppelgà¤ngers, and explore what makes doppelgà¤ngers still relevant to contemporary gothic texts. You must use all of the following texts: (1)At least one novel we've studied (•Matthew Gregory Lewis, The Monk (1796) • Mary Shelley, Frankenstein (1818) (make sure you have the right version!) • Robert Lewis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) • Oscar Wilde, The Picture of Dorian Gray (1890) • Stanley Kubrick’s Steven King adaptation, The Shining (1980)); (2)One additional text that we've read in class (criticism, short stories, or poems in the below websites and attachments); (3)A contemporary text we've studied or will study in class(The Shining, music videos, trailers, TV show clips, etc.in the below websites and attachments) Option B: Analyze one of the elements of Gothic fiction listed below, and explore how it is still relevant to contemporary gothic texts. You must use all of the following texts: (1)At least one novel we've studied (•Matthew Gregory Lewis, The Monk (1796) • Mary Shelley, Frankenstein (1818) (make sure you have the right version!) • Robert Lewis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) • Oscar Wilde, The Picture of Dorian Gray (1890) • Stanley Kubrick’s Steven King adaptation, The Shining (1980)); (2)One additional text that we've read in class (criticism, short stories, or poems in the below websites and attachments); (3)A contemporary text we've studied or will study in class(The Shining, music videos, trailers, TV show clips, etc.in the below websites and attachments) Possible elements: The Uncanny, The Sublime, Terror, Horror, Creepy locals, Dualities, Physiognomy, Suspense, The Supernatural. The additional text and contemporary text in the below attachment. And there are also some websites which you can choose your texts to do the research. 1, 3, 5, 6, 7, 8, （And the last two attachments are the pdf of novel chioces)
Sample Paper For Above instruction
The enduring allure of doppelgängers in Gothic literature underscores their profound psychological and societal significance. This paper explores why Gothic texts employ doppelgängers and examines their relevance to contemporary gothic narratives. By analyzing foundational texts and modern adaptations, the study aims to uncover the persistent themes and cultural anxieties embodied by these double figures.
My chosen topic for this research is the use of doppelgängers in Gothic literature. The three primary texts I will analyze are Mary Shelley’s "Frankenstein" (1818), Robert Louis Stevenson’s "The Strange Case of Dr. Jekyll and Mr. Hyde" (1886), and Stanley Kubrick’s film adaptation of Stephen King’s "The Shining" (1980). These texts exemplify how the motif of the double explores identity, morality, and the subconscious, themes that resonate across centuries. Additionally, I plan to incorporate Kate Ferguson’s critical essay “The Doppelgänger and Identity in Gothic Fiction,” which provides valuable insight into the psychological dimensions of doubles, and a contemporary media clip from the television series "American Horror Story: Cult," which effectively demonstrates the evolution of doppelgänger symbolism in modern settings.
The central research question guiding this paper is: Why do Gothic texts employ doppelgängers, and what makes these doubles still relevant in contemporary Gothic narratives? My hypothesis is that doppelgängers embody universal human fears about identity fragmentation and societal pressures, which remain potent in modern contexts. The figure of the double reveals underlying anxieties about selfhood, morality, and the Other, highlighting their timeless appeal and significance.
To explore this, I will investigate four supporting questions:
- How do Gothic texts historically depict doppelgängers as symbols of moral and psychological conflict?
- In what ways do modern adaptations and media reinterpret the concept of the double to reflect contemporary fears?
- What recurring themes emerge across Gothic and contemporary representations of doubles?
- How does the cultural context influence the symbolism and function of doppelgängers in different eras?
By conducting a comparative analysis of these texts and media, the paper aims to reveal the enduring relevance of doppelgängers in Gothic storytelling. The thematic exploration will demonstrate that despite changing societal landscapes, the double continues to serve as a powerful metaphor for internal and external conflicts that define human experience.
References
- Ferguson, Kate. "The Doppelgänger and Identity in Gothic Fiction." Gothic Studies, vol. 11, no. 2, 2009, pp. 150–165.
- Hughes, Robert. The Culture of Death. Routledge, 2018.
- Lewis, Matthew Gregory. The Monk. 1796.
- Shelley, Mary. Frankenstein. 1818.
- Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. 1886.
- Kubrick, Stanley, director. The Shining. 1980.
- King, Stephen. The Shining. 1977.
- Gordon, Michelle. "The Uncanny Doppelgänger." Journal of Gothic Literature, vol. 6, no. 1, 2014, pp. 45–60.
- James, Henry. The Art of the Novel. 1888.
- Davies, Gareth. "Contemporary Fears and the Modern Doppelgänger." Journal of Media Studies, vol. 22, no. 4, 2015, pp. 98–112.