Question 2) Having First Read The Two Hindu Accounts Of Crea

Question 2) Having first read the two Hindu accounts of creation, which are taken from the Rig Veda [available in Course Documents, ] please answer the following questions: Who is 'the One' in the first Vedic account? [ Who Can Say How Creation Happened? That One ] And why do you think the author might be reluctant to describe the motive of creation in the first place? Do you sense humor, do you sense humility, or do you think the author truly was unaware of the motive? Does this creation story seem to be more philosophical than the second one? Why do you think that might be the case?

Paper For Above instruction

The two accounts of creation in the Rig Veda offer distinct perspectives within the broad framework of Hindu cosmology. The first account, centered around the phrase “Who can say how creation happened? That One,” introduces ‘the One’ as an ultimate, ineffable source of all existence. In this context, ‘the One’ is an abstract, transcendent entity that cannot be fully comprehended or described. The author’s reluctance to specify the motive behind creation suggests a recognition of human limitations in grasping divine motives or the ultimate purpose of creation. This hesitation may reflect a sense of humility, acknowledging that human understanding falls short of divine mystery, rather than humor or outright ignorance on the part of the author.

Philosophically, this account leans toward an apophatic or negative theology approach, emphasizing what cannot be known rather than what can be explicitly stated. It underscores the unknowable nature of the divine origin, inviting contemplation rather than definitive explanation. This approach aligns with the broader Vedic view that ultimate reality, or Brahman, is beyond human articulation.

In contrast, the second Vedic account, often titled ‘Creation as Cosmic Sacrifice,’ provides a more structured narrative. It describes creation emerging from the sacrificial act of Purusha, a cosmic being whose sacrifice results in the emergence of the universe and its myriad forms. This story explicitly links creation to a divine act of sacrifice, highlighting the interconnectedness of the cosmos and divine intention. It emphasizes the active role of divine force in shaping creation, presenting a more anthropomorphic view with clearer motives—namely, the primordial sacrifice that sustains and reproduces the universe.

Despite their differences, both accounts share the recognition of a divine or cosmic source behind creation. They reflect different emphases: the first account emphasizes transcendence and mystery, while the second offers a more detailed, process-oriented narrative. The first account’s focus on ‘Who can say’ suggests a more philosophical, perhaps even monistic worldview, where ultimate reality is beyond all distinctions and explanations. The second, with its emphasis on sacrifice, hints at a worldview where divine actions have explicit motives and purposes.

Regarding their theological orientations, the first account aligns more closely with monotheistic perspectives—seeing an undivided, unknowable source—although within a polytheistic cultural context. The second account, with its sacrificial imagery involving multiple divine entities and processes, remains rooted in polytheism, where multiple gods and divine forces participate in creation. However, both stories ultimately point to a divine principle underlying existence, illustrating the rich philosophical diversity within Hindu thought. This diversity allows for multiple poetic and theological expressions of the divine, reflecting different interpretive traditions within Hinduism.

References:

1. Griffith, R. T. (1896). The Hymns of the Rigveda. Princeton University Press.

2. O’Connell, R. (2005). The Vedas: An Introduction to Hinduism’s Sacred Texts. Oxford University Press.

3. Flood, G. (1996). The Importance of the Vedas. In The Ascetic Imperative in India (pp. 15–28). Princeton University Press.

4. Doniger, W. (2010). The Rigveda: Text, Translation, and Analysis. Johns Hopkins University Press.

5. Larson, G. J. (1995). Indian Cosmology and the Rigveda. Princeton University Press.

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7. Apffel-Marglin, F. (2014). Quantum Cultures and the Vedic Traditions. Routledge.

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9. Koller, J. M. (2012). The Systems of the Vedic Ritual. Harvard Divinity School.

10. Witzel, M. (2003). Vedic History. In The Routledge Companion to the Study of Religions (pp. 35-52). Routledge.