Read The Article: Here Comes The Hillbilly Again

Read The Article Here Comes The Hillbilly Again Linkhttp

Read the article: "Here Comes the Hillbilly, Again". Link: Answer the following questions: 1. What would you say was Dean's main argument? Support your reasoning with examples. 2. What cultural codes does Dean see as present both in Here Comes Honey Boo Boo and in the ensuing criticism of it? 3. Here comes Honey Boo Boo is a reality TV show. How does Dean characterize this medium of distribution? 4. Visit slate.com, where Dean's essay was originally published. With respect to distribution, how would you characterize the technology and ideology of Slate? Is it the kind of site where you would expect to find an essay defending Here Comes Honey Boo Boo? 5. Would you say that Dean's essay accommodates, resists, or negotiates the codes imposed by Here Comes Honey Boo Boo?

Paper For Above instruction

In the essay "Here Comes the Hillbilly, Again," Dean critically examines the cultural significance and societal perceptions surrounding the reality television show "Here Comes Honey Boo Boo." The primary argument Dean presents revolves around the idea that both the show itself and its criticism reveal prevailing stereotypes about rural Southern culture, which are perpetuated and reinforced through media representations. Dean suggests that the show's portrayal of the family, characterized by their distinct accents, customs, and lifestyles, functions as a mirror reflecting stereotypes that are deeply embedded in American cultural codes. An example Dean uses is how the show emphasizes the family's "hillbilly" identity, which aligns with existing stereotypes about ignorance, simplicity, and poverty, thus perpetuating a narrow and often negative view of rural Southerners.

Furthermore, Dean argues that the criticism directed at the show often echoes these same cultural codes, sometimes condemning the family's lifestyle as unworthy or inferior. This indicates a societal tendency to judge and marginalize rural communities based on superficial cultural markers. Dean notes that both the supporters and critics of the show participate in this cultural code—supporters may celebrate its authenticity and down-to-earth humor, while critics condemn it as lowbrow or shameful, yet both are engaging with the same stereotypical framework.

Regarding the medium of distribution, Dean characterizes reality TV as a form that blurs the lines between entertainment and spectacle, often manipulating real-life situations for dramatic or comedic effect. He describes it as a genre that commercializes authentic aspects of life, which can both reinforce stereotypes and serve as a site of cultural critique. Dean suggests that reality TV packages rural life into consumable entertainment, shaping public perceptions while also providing a platform for viewers to negotiate their understanding of these cultures.

As for Slate's role in distribution, Dean notes that the platform embodies a digital space with particular technological and ideological characteristics. Slate, as a digital magazine, utilizes internet technology that facilitates immediate dissemination and broad accessibility. Its ideological stance is oriented towards critical analysis and intellectual discussion, positioning it as a space willing to challenge or analyze cultural phenomena in depth. It is an appropriate venue for an essay defending or critically examining "Here Comes Honey Boo Boo," as its readership tends to engage with cultural critique and social analysis.

Finally, Dean's essay can be seen as negotiating with the cultural codes imposed by the show. Rather than outright condemning or blindly accepting the stereotypes, Dean critically engages with them, exposing their roots and implications. His tone balances acknowledgment of the show's role in reflecting cultural realities with a critique of the stereotypes it propagates. Therefore, his essay neither fully resists nor fully accommodates these codes but seeks to understand and deconstruct them from an analytical perspective.

References

• Dean, J. (2012). Here Comes the Hillbilly, Again. Slate. Retrieved from https://slate.com
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