Running Head Sample Freewrite And Outline 1 Sample

Running Head Sample Freewrite And Outline 1sample Freewrite And Outl

Sample Freewrite and Outline for a Narrative Essay Greg Gildersleeve Grantham University SAMPLE FREEWRITE AND OUTLINE 2 Freewrite Getting published at 21. Wrote article for Comics Buyers Guide. A lot of new publishers in comics industry—independents, alternatives to Marvel and DC. Tried some of these comics, didn’t like them, too expensive, but wanted more than just two publishers. Wrote article, “How to Improve the Alternate Comics’ Success” and submitted it. Accepted! Yay! Thought I was on my way to an illustrious career of writing comics. But the article was not published until more than a year later. Reaction from pro writers not good. One said I wanted to alternate comics to succeed only in relation to Marvel and DC. Another called my article “ignorant and pointless.” Editorial comment said they published my article because it reflected an attitude all too common in fans: narrow and self-serving. So, they didn’t think my article was brilliant. Learned valuable lessons: I truly didn’t know what I was talking about. Growing up reading Marvel and DC, they were center of my comics universe. Learned there was a much larger reality and interest in comics besides super-heroes. But also felt great that real comics pros read and responded to my work. Contributed to the public conversation. Outline I. Introduction and main idea: At 21, I got my first article accepted for publication and thought I was on my way to a brilliant career of writing comic books. What I learned was not what I expected. II. Background information: “Alternate” comics challenged Marvel and DC’s dominance of comics industry. A. I read some of these new comics and didn’t like them. B. At the same time, I wanted diversity in the comics industry. III. I wrote and submitted an article entitled “How to Improve the Alternate Comics’ Success.” A. My central point was that alternate comics needed to be cheaper and to more closely match the successful super-heroes of Marvel and DC to appeal to me. B. I said the alternates needed “to put more honey before our noses” to get fans interested. IV. Reaction from comics pros was not what I expected. A. One accused me of wanting the alternates to succeed only in terms of Marvel and DC, rather than appreciating them on their own merits. B. Another explained the economics of why alternate publishers couldn’t compete with Marvel and DC in terms of price. C. Another called my article “ignorant and pointless.” D. The editors admitted that they printed my article only because it reflected common attitudes among fans. V. Conclusion: Though painful at the time, the experience made me a stronger writer. A. I learned to see things outside my own limited world view. B. I learned that criticism of my writing didn’t kill me; it showed me areas to improve. C. It was a thrill when professional comics writers read and responded to my work!

Paper For Above instruction

At the age of 21, I experienced a pivotal moment in my budding writing career that profoundly shaped my understanding of the comic book industry and my own growth as a writer. This episode, involving the acceptance and subsequent harsh criticism of my first published article in the Comics Buyers Guide, highlights the complexities of professional writing, the influence of industry paradigms, and the importance of resilience and open-mindedness in artistic endeavors.

To begin, it is essential to understand the context in which my article was conceived. The comic book industry, historically dominated by giants Marvel and DC Comics, faced the emergence of a vibrant alternative scene challenging their monopoly. These “alternative” comics aimed to diversify storytelling, artworks, and audiences, creating a more pluralistic ecosystem within the medium. Naturally, I was intrigued by this movement and, after engaging with some of these new titles, found myself dissatisfied—not because I was opposed to diversity but because of the price point and the perceived gap in appeal to the mainstream superhero audience.

Driven by a desire to contribute to this conversation, I authored an article entitled “How to Improve the Alternate Comics’ Success,” proposing that these publishers could increase their accessibility and appeal by lowering prices and adopting stylistic elements similar to Marvel and DC’s flagship characters. My central thesis was that making alternative comics more affordable and familiar could attract a broader audience, especially those who, like me, were more inclined toward the mainstream superhero genre. I was optimistic about this approach, believing it could bridge gaps and boost the industry’s growth.

However, the response I received from industry professionals was far from encouraging. Instead of constructive criticism, I encountered dismissive remarks and outright disdain. One critic accused me of wanting to dictate success based solely on comparison to Marvel and DC, ignoring the unique identity and artistic value of alternative comics. Another explained the economic realities—namely, that lower prices would threaten the viability of small publishers. A third labeled my ideas “ignorant and pointless,” revealing a prevailing attitude among some professionals toward outsider opinions. The editors’ admission that they printed my article because it echoed common fan sentiments underscored their lack of enthusiasm—it was more about reflecting reader attitudes than endorsing innovative solutions.

This experience was initially disheartening but ultimately enriching. It taught me that industry insiders often operate within rigid paradigms, resistant to change or outsider perspectives. More importantly, it provided a valuable lesson in resilience; critique, even when delivered harshly, is an opportunity for growth. I learned to distinguish between constructive feedback and dismissive hostility, and to analyze opinions critically instead of accepting them at face value. This episode also highlighted the importance of understanding industry economics and cultural attitudes, which shape what is feasible or acceptable within the field.

Despite the criticisms, the episode also energized my passion for writing and advocacy. Knowing that professional writers and editors read and responded to my work was a validation of my voice and efforts. It reinforced the notion that publishing, even when challenging, is a step towards engaging with a broader community and influencing industry discourse. Over time, I learned to view rejection and critique not as setbacks but as integral to the development of a resilient and insightful writer.

In conclusion, my early foray into publishing illuminated many vital lessons. I gained a broader perspective beyond my initial limited universe centered around Marvel and DC. It fostered an understanding that success requires more than just the right ideas; it demands patience, openness, and the capacity to accept and learn from criticism. The experience instilled in me a determination to pursue my passions despite opposition and to continually seek growth—an attitude that has served me well throughout my writing career. Ultimately, this episode underscored the importance of perseverance, humility, and the willingness to embrace diverse viewpoints in any creative pursuit.

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