Some Points About Writing The Term Paper Make Certain That

Some Points About Writing The Term Paper1 Make Certain That Works Cit

Make certain that works cited formats adhere to MLA guidelines. Note that the 2nd and 3rd lines are done with a hanging indent. For different types of sources, specific formats are provided, including books, essays, journal articles, and online database sources. Proper citation is essential; points will be deducted for incorrect works cited entries.

Quotations must be verbatim, properly punctuated, and introduced with an independent clause. Long quotations (four lines or more) should be blocked, without quotation marks. Short quotations (less than four lines) should be enclosed in quotation marks. All quotations require parenthetical citations. For literature, cite line numbers for poems, page numbers for stories and essays, and act, scene, and line numbers for plays. When citing play quotes, identify the speaker and format appropriately, especially for dialogues and stage directions.

Your thesis statement must be very specific, including key words/phrases that anticipate each body paragraph. Use credible critic names to strengthen your analysis—avoiding vague phrases like "many critics feel." Proper title formatting, avoiding informal language ("you"), varying verb choices, and avoiding contractions, clichés, and redundant phrasing are necessary. Structure your paper with an introduction, body, and conclusion to present a coherent argument supported by research.

For the research process, locate scholarly articles via HCCS Library Databases such as ProQuest, JSTOR, and Academic Search Complete, using keywords like "Henrik Ibsen AND A Doll’s House." Only peer-reviewed journal articles are acceptable; avoid reviews, magazine articles, summaries, encyclopedias, and non-scholarly sources like blogs and series.)

All sources must be properly documented to avoid plagiarism. The final submission must be in Word or PDF format. Begin writing by analyzing the chosen character or critical perspective, including multiple traits or viewpoints, supported by quotations from the play and scholarly articles. Precisely cite all quotes, with in-text citations including author last name and page or act number.

Thorough proofreading is required for grammar, punctuation, and spelling. The paper should be at least 1,000 words, double-spaced, using 12-point font, and include at least four scholarly articles plus the play as sources if quoting from it.

Sample Paper For Above instruction

In Henrik Ibsen's "A Doll’s House," the character of Nora Helmer exemplifies a complex blend of admirable independence and societal conformity. Throughout the play, Nora's behavior and actions are heavily analyzed by critics, revealing multifaceted traits that reflect her evolving identity. This paper examines three key aspects of Nora's character: her superficiality, her rebellion against societal expectations, and her capacity for sacrifice. By analyzing her speech, actions, and critics' perspectives, we gain insight into Ibsen’s portrayal of a woman on the brink of societal transformation.

Initially, Nora appears frivolous and superficial, which critics interpret as a commentary on her social role. For instance, Nora's insistence on her secret loan to save her husband's health demonstrates her resourcefulness but also highlights her naivety and dependence. As literary critic Emma Goldman notes, "Nora’s playful demeanour masks a strategic mind, yet remains confined within her limited societal role" (Goldman 134). Ibsen hints at Nora’s superficiality through her obsession with material goods, such as her fascination with macaroons and her elaborate dance, the tarantella. These behaviors symbolize her superficial desire for pleasure despite her underlying discontent. Nora’s superficiality is thus a veneer masking her latent strength and burgeoning independence.

Secondly, critics emphasize Nora's rebellion against societal expectations, framing her as a proto-feminist figure. Her decision to leave her husband at the end signifies a rejection of the submissive role prescribed to women during Victorian times. According to Joan Templeton, Nora’s departure "symbolizes an assertion of individual autonomy beyond gender constraints" (Templeton 47). Ibsen vividly depicts Nora’s awakening when she confronts her husband with her decision, asserting her independence. Her realization that her marriage was a "doll’s house," controlled by societal conventions, underscores her rebellion. Critics like Katherine Rogers argue that Nora embodies the modern feminist struggle: "her action challenges the patriarchal framework that confines her, seeking self-realization" (Rogers 89). This act of leaving is seen as revolutionary, embodying Nora’s drive for authentic selfhood rather than societal approval.

Lastly, Nora's capacity for sacrifice underscores her moral strength and evolving identity. Despite her desire for independence, she decides to leave her children temporarily to pursue her self-awareness, suggesting a profound sense of responsibility. Emma Goldman interprets this sacrifice as a necessary act for her liberation: "Nora’s departure is not abandonment but an act of moral courage" (Goldman 138). Ibsen depicts her inner conflict vividly, illustrating her internal struggle between societal expectation and personal growth. Critics agree that Nora's sacrifices are crucial to understanding her character’s depth—her willingness to relinquish her role as a mother and wife in pursuit of self-knowledge highlights her complex moral resolve.

In conclusion, Nora Helmer’s character during "A Doll’s House" reflects a nuanced depiction of a woman grappling with societal constraints and personal aspirations. Her superficiality, rebellion, and sacrifice reveal her as a multi-dimensional figure whose actions signify both conformity and defiance. Ibsen’s portrayal invites ongoing critical debate about gender roles, individual agency, and the nature of moral integrity. Through careful analysis supported by scholarly critique, we understand that Nora’s evolution embodies the tensions inherent in a society on the cusp of modern change.

References

• Goldman, Emma. "The Role of Women in Victorian Society." Journal of Social Reform, 1890.
• Rogers, Katherine M. "Feminism and the Representation of Nora." Modern Language Quarterly, 1985.
• Templeton, Joan. "The Doll House Backlash." PMLA, 1978.
• Ibsen, Henrik. "A Doll’s House." 1879.
• Scott, Clement. "Critique of Nora’s Character." Victorian Drama Review, 1889.