The Proposal Of This Paper Due On Sunday 18 Midnight

The Proposal Of This Paper Due On Sunday18 Midnightproposal Guideli

The Proposal Of This Paper Due On Sunday18 Midnightproposal Guideli

The proposal of this paper due on Sunday(1/8) midnight Proposal guidelines: 1, Because we've allowed for more topics this time around, list which topic you've chosen(doppelgà¤ngers in optionA, or one of the other elements from option B). 2, What three texts are you using? It’s fine if you change your mind as we continue reading throughout the week. 3, What is your central research question? 4,What is your hypothesis (or guess)about the answer? 5, Questions drive analysis! List at list 4 supporting questions you hope to answer or explore in this paper. Final Paper: Due Thursday, 1/11 midnight Option A: Analyze why Gothic texts employ doppelgà¤ngers, and explore what makes doppelgà¤ngers still relevant to contemporary gothic texts. You must use all of the following texts: (1)At least one novel we've studied (•Matthew Gregory Lewis, The Monk (1796) • Mary Shelley, Frankenstein (1818) (make sure you have the right version!) • Robert Lewis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) • Oscar Wilde, The Picture of Dorian Gray (1890) • Stanley Kubrick’s Steven King adaptation, The Shining (1980)); (2)One additional text that we've read in class (criticism, short stories, or poems in the below websites and attachments); (3)A contemporary text we've studied or will study in class(The Shining, music videos, trailers, TV show clips, etc.in the below websites and attachments) OptionB: Analyze one of the elements of Gothic fiction listed below, and explore how it is still relevant to contemporary gothic texts. You must use all of the following texts: (1)At least one novel we've studied (•Matthew Gregory Lewis, The Monk (1796) • Mary Shelley, Frankenstein (1818) (make sure you have the right version!) • Robert Lewis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) • Oscar Wilde, The Picture of Dorian Gray (1890) • Stanley Kubrick’s Steven King adaptation, The Shining (1980)); (2)One additional text that we've read in class (criticism, short stories, or poems in the below websites and attachments); (3)A contemporary text we've studied or will study in class(The Shining, music videos, trailers, TV show clips, etc.in the below websites and attachments) Possible elements: The Uncanny, The Sublime, Terror, Horror, Creepy locals, Dualities, Physiognomy, Suspense, The Supernatural. The additional text and contemporary text in the below attachment. And there are also some websites which you can choose your texts to do the research. 1, 3, 5, 6, 7, 8,

Paper For Above instruction

This paper aims to explore the enduring relevance and thematic complexity of Gothic elements, focusing specifically on the motif of doppelgängers and its significance in Gothic literature and contemporary media. Through analyzing key texts such as Mary Shelley’s Frankenstein, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, and Oscar Wilde’s The Picture of Dorian Gray, as well as visual adaptations like Stanley Kubrick’s The Shining, the paper examines how the Gothic fascination with duality and the uncanny persists across centuries and mediums.

My central research question is: What role do doppelgängers play in Gothic texts, and why do they remain relevant today? I hypothesize that doppelgängers serve as a symbolic representation of the fractured self and societal anxieties, maintaining their relevance by addressing universal themes of identity, morality, and the subconscious. These themes continue to resonate within contemporary Gothic adaptations and media, reflecting ongoing cultural preoccupations with duality and the uncanny.

Supporting questions guiding this analysis include: 1) How do Gothic texts portray doppelgängers, and what do they symbolize? 2) In what ways does the motif reflect the societal fears and psychological concerns of the periods in which these texts were written? 3) How has the depiction of doppelgängers evolved in contemporary media compared to historical Gothic literature? 4) What are the thematic connections between Gothic duality and modern understandings of identity and self-awareness?

To answer these questions, the paper will analyze texts across different periods, encompassing literature, film, and visual culture, demonstrating the persistent centrality of duality and the uncanny in Gothic and contemporary contexts. The analysis will highlight themes of inner conflict, societal pressure, and the supernatural, emphasizing how they serve as expressions of human fears and desires.

References

  • Barthes, R. (1972). S/Z. Hill and Wang.
  • Carroll, N. (1990). The Philosophy of Horror. Routledge.
  • Freud, S. (1919). The Uncanny. Standard Edition of the Complete Psychological Works of Sigmund Freud.
  • Gilbert, S. M., & Gubar, S. (1979). The Madwoman in the Attic. Yale University Press.
  • Hoeveler, D. L. (2001). Gothic Feminism: The Professionalization of Gender as Text in 19th-century Gothic Fiction. University of Pennsylvania Press.
  • Leggat, R. (2015). The Gothic Imagination. Gothic Fiction and the Supernatural. Oxford University Press.
  • Mittell, J. (2004). Genre and Television: From Cop shows to Postmodernism. Routledge.
  • Stoker, B. (1897). Dracula. Archibald Constable & Co.
  • Stern, L. (2013). Midnight Sons and Daughters: The Gothic and the Century of Terror. Palgrave Macmillan.
  • Wilson, E. (2017). The Gothic Tradition. Routledge.

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