Vocabulary List: Benevolent, Reclamation, Dubious, Fabricate

Vocabulary List 2benevolentreclamationdubiousfabricatedhypocrisysland

Vocabulary List 2benevolentreclamationdubiousfabricatedhypocrisysland

Vocabulary List #2 Benevolent Reclamation Dubious Fabricated Hypocrisy Slander Astute Ambiguous Apathetic Arbitrary I see a doctor treating his patient with two nurses and other 3 peoples who look like they are emotional at that time. There are some medical tools in the table. I wonder why the patient is covered with the clothes, and why the 3 people other than the doctor and nurses are crying. I think the patient have serious illness and the doctor is treating him and the people are crying for the patient’s life. Prashant Khadka Outline-Essay#2-Visual Analysis A) Introduction · Who took the image? - Bayard Wootten · When was the image taken? - () · Where was it taken? – UNC, chapel hill libraries · Why was it taken? - To show how primitive was the health care system at that time Thesis (Insert the thesis approved in class here): In this image, the photographer attempts to show how primitive was the healthcare service at ancient time and how the treatments were done at that time.

B) Body Paragraph 1 (What is the photograph’s message?) The image tells us about the situation of health care at ancient time. Beside this, I think the photographer took this photo in order to show the upcoming generations how close and emotional was the relationship of a doctor with the patients and their family at that ancient time.

C) Body Paragraph 2 (How are the following aspects helping the photographer present his claim: · Light Quality- Sun(source), Right side from the window (direction), Soft and Hazy (Quality) · Angle of View- Straight at the object · Framing/Composition- Artist has used the ceiling, walls and the floor as the frame · Color- Subdued and muted (black and white) · Focus- Doctor, patient and the old woman with pleading hands are in sharp focus. The edges of the picture like ceiling, walls and the floors are out of focus. Artist has created emotional mood.

D) Body Paragraph 3 (How does image appeal to the audience?) - Sadness

E) Conclusion Thus, by using different visual elements and appeals in the photograph, artist has succeeded in giving the message he wanted to give. Citation for Essay#2 · Use punctuation marks exactly in the manner used here. · Put the works cited list on the last page of the essay. · The works cited list should not be given under the conclusion. Work Cited Last Name, First Name of the photographer. “Name of the Image/Untitledâ€. Name of the Website, Place where the image was taken. Year taken. URL. The date when you accessed the image. Smith, Jane. “The Refugeesâ€. The New York Times . Pottsdam. 2009. . Accessed 22 May 2006. Guidelines Visual Analysis Essay Essay Length : 3-4 Word Pages Visual : Should be embedded in the introduction. MLA : Use MLA for essay formatting and the work cited list Structure: A. Introduction: · Who took the image? When was it taken? Where was it published? · Briefly describe the image being analyzed. · At the end of the introduction, your approved thesis statement. B. Body Paragraphs: · Each question answered in “Analyzing the Image†document above should be thoroughly described within their own body paragraph. · Arrange the paragraphs in the order that the questions are listed. In other words, the first paragraph should describe the question answered in step one, the second paragraph should describe the question answered in step two and so on. · Make sure that each paragraph contains a topic sentence that summarizes and introduces the question being addressed or answered. C. Conclusion: · A conclusion should mirror the introduction and reiterate the thesis, but not word for word. Re-state the thesis differently than it was stated in the introduction. · Summarize the information covered within the essay using a few sentences. · A conclusion paragraph should not mention any new information that was not addressed within the essay. Due Dates : Refer to the Due Dates Calendar for the Due Dates associated with this essay. Last Name | 2 First Name Last Name Dr. M Kaur March 30th, 2018 A Visual Dissection and Argument of an Artist’s Work On May 6th, Josh Haner of The New York Times captured an image of Amiya Brunet (age 3) on her family’s property in Isle de Jean Charles, Louisiana where they have battled a flood zone. The small island has been victim to coastal collapse for many decades and loses landmass roughly the size of Manhattan annually, costing it ninety-eight percent of it’s original size in the last sixty years. Isle de Jean Charles is home to many, including the burial grounds of the Biloxi-Chitimatcha-Choctaw Indians, whom have made the island a historical landmark for nearly two centuries. Many of the citizens are members of this tribe, which makes this devastating crisis unbearable in more ways than one. However, in January of 2016, The United States Department of Housing and Urban Development awarded $48.3 million to the state of Louisiana’s Development Disaster Recovery Unit; to protect the landmark and migrate the community to safety. In a trying time, photographer Josh Haner perceives the effects of climate change and how the Federal Program has put a new prospective on their future visually. Artist Haner has been recognized by The New York Times as a one time Pulitzer Prize winner for the visual work he had done in 2014 and many other notable works of reputable companies in the past such as: National Geographic and The Rolling Stone. Although Haner is undoubtedly a credible source, his ability to record the visual documentation of constant suffrage in Isle de Jean Charles is in question. When viewers look down at three year old Amiya Brunet crouching on her family’s anfractuous dock, they sense a glimmer of hope and tranquility. The representation of this photo is not of despair but of “the calm after the storm.†Upon observation, viewers can clearly see: the mud spatter on the walls of her house, attempted quick repairs, the foliage that engulfs the property, and of course the curious cat. The sun hides behind the small stilted house, but undoubtedly shines on this calm morning for Amiya and her family. Could this photo mean peace for the people of Isle de Jean Charles? Not yet, news articles state that after many decades of trivial pursuit to save the land, residents will eventually have to vacate the place they call home or face their inevitable peril against the relentless floods, which is the only answer for some. This evidence has proven that Haner’s visual outlook equivocates the real story. Though Haner disproves his factual capabilities, he provides a deposition of his artistic talent as a photojournalist. This is shown through the undeniable beauty of innocence in the photo captured of Amiya outside of her home. Haner composes this piece with soft morning back light that comes at angle from right to left, and frames his subjects with the overgrowth of shrubbery, creating an effect of overall cryptic gentleness in color and clarity. Furthermore, the sharp focus of the rustic brown old dock brings spectators eyes more directly to the connection of Amiya and the path it leads to her home. In addition, a strong contrast was used to brighten this photo and evokes a sigh of relief to those who enjoy the quiet side of nature in a simpler time. Haner’s use of natural light and limited color pallet provides a symbolism of the importance of life while grazing over the darkness in nature. Though the artist shows the low waters that rest underneath the dock where Amiya sits to eat her clementine, the reflection of light upon the water makes it virtually unnoticeable at first glance for viewers. A dark green covers the left portion of the photo, while there is a natural arrangement of light on the foliage that has been brightened by the sunlight. This creates celestial green tones about the image. Another interesting thing about this photo is that Amiya, her cat, and her house are all wearing white, which is the only color about the photo that is unnatural. The very light tinge of blue in the upper corner of the sky appears to mirror the same light hint of blue amongst the roof of her home. Haner has intentionally used a sort of blending effect with his colors that conveys a natural yet controlled pallet for this photo. This artist also paints his view of past and future by casting shadow on the bleary remains of the architecture that stands in the distant background, when light and youth are brought forth in the uncentered frontal line of view. While the artist subtly reveals gloom through the dark shades of green, the evidence of any non-superficial feeling is noncommittal. Haner caters to the dreaming populace of hope and fantasy, and reflects the innocence within himself by the obvious placement of a child amongst a disaster area that he refuses to reveal completely. By sanitizing this photo report, Haner provides false evidence to those unaffected, stating that the problem has already been solved. However, the true issue lies deeper than Haner’s capability to accurately portray an issue that seemingly everyone has been denying for years: and that is climate change. Island de Jean Charles is not the only place that has been affected by climate change. The human population has at one time or another heard of climate change/global warming. Although there are many theories based on years of scientific research, most of us are unaware what climate change really is and some of us even believe it is a myth. Climate change is inevitable, what causes it is not precisely understood but there are things we can do get involved. Since this is a global problem, people are affected by it every day and getting involved can mean the difference of life and death for people like Amiya. Vigorous research can better help people who are uninformed understand what climate change means to them and what they can do to help. The tragedy of continual coastal collapse in Isle de Jean Charles was captured by Haner on May 6th. The artist has posed questions of the past, present, and future of climate change for the people of Louisiana and what will be done in the future when nature becomes deadly. For a battle not yet won, Photographer Josh Haner displayed a hopeful view. In conclusion, the photo taken provides a beautiful representation of what could be for the people of Isle de Jean Charles and to the victims everywhere who suffer from the effects of climate change. Work Cited: Haner, Josh. “Untitledâ€. The New York Times . Isle de Jean Charles, Louisiana. 2016. https:// may-6/s/-WIP-slide-0FMZ.html .Accessed 3/28/