Watch The First Twenty-Seven Minutes Of The Charlie Rose Int
Watch The First Twenty Seven Minutes Of The Charlie Rose Interview Wit
Watch the first twenty-seven minutes of the Charlie Rose interview with Henri Cartier-Bresson, including the introduction by Richard Avedon. Answer the following questions in Discussions using the Reply button:
1. In the interview, Cartier-Bresson states that he is an anarchist. Why do you think he said that?
2. Did he make his own photographic prints? Why or why not? One page required for this answer.
Paper For Above instruction
Henri Cartier-Bresson, often regarded as a pioneer of photojournalism and street photography, is known for his profound insights into the art of photography and his unique approach to capturing life's fleeting moments. The interview with Charlie Rose provides a window into his ideologies, artistic philosophy, and technical practices, which collectively have influenced countless photographers worldwide.
Cartier-Bresson’s Declaration as an Anarchist
During the interview, Cartier-Bresson describes himself as an anarchist. This statement can be understood metaphorically, reflecting his approach to life and art rather than a literal political stance. The term ‘anarchist’ here signifies his opposition to rigid authority and conventional structures, emphasizing spontaneity, individual freedom, and natural behavior. Cartier-Bresson believed that capturing authentic moments required an attitude free of societal constraints or pretentiousness. His style was characterized by an instinctive, unobtrusive approach—'the decisive moment'—which sought to reveal truth through candid photography. By calling himself an anarchist, he signals his rejection of dictated norms and his preference for organic storytelling rooted in personal freedom. This perspective aligns with his broader ethos of respecting life's unpredictability and embracing the chaos and randomness inherent in human existence. Such a stance also fostered his innovative use of composition, timing, and intuition, setting his work apart from more formal or posed styles.
Cartier-Bresson’s Approach to Printing
Regarding his photographic prints, Cartier-Bresson was notably involved in the process, actively participating in making his photographs. He did not delegate the printing to others, which was common among some photographers who viewed printing as a separate craft. Instead, Cartier-Bresson employed a meticulous and instinctive approach to printing, believing it was an integral part of his artistic expression. The process involved careful selection of negatives, choice of printing techniques, and timing, all aimed at preserving the authenticity and emotional impact of the original shot. His involvement in printing underlines his commitment to controlling the final presentation of his images, ensuring that their visual and emotional integrity remained intact. This hands-on approach also allowed him to intensify contrasts or highlight details that contributed to the narrative power of his photographs.
Conclusion
In sum, Cartier-Bresson’s self-identification as an anarchist reflects his commitment to spontaneity, authenticity, and freedom in both his life and art. His active role in printing demonstrates his dedication to the craft and the importance he placed on delivering truthful and impactful images. These aspects of his philosophy underscore his pioneering influence on modern photography, emphasizing intuition over convention and personal expression over adherence to traditional norms.
References
- Bresson, H. C., & McCauley, J. (1992). Decisive Moment: The Autobiography of Henri Cartier-Bresson. University of Chicago Press.
- Peres, M. (2010). The Book of Photography. Thames & Hudson.
- Rose, C. (interviewer). (2023). Charlie Rose Interview with Henri Cartier-Bresson [Video].
- Louw, P. (2001). Henri Cartier-Bresson: A Biography. Thames & Hudson.
- Salvesen, B. (2008). Henri Cartier-Bresson: The Eye of the Century. Yale University Press.