Watch Video And Answer A Few Questions - Simple Assignment P

Watch Video And Answer Few Questions Simple Assignmentpart 1 000 44

Watch Video And Answer Few Questions Simple Assignmentpart 1 000 44

watch video and answer few questions simple assignment Part 1: 0:00-44:25 video link: questions below only complete part 1 Define art. How does the emergence of street art and the Internet change what constitutes as art? Cite examples from Exit Through The Gift Shop . What compels Thierry to film everything around him? How does street art intersect with social commentary? Cite specific examples from the documentary.

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Art has traditionally been viewed as a form of creative expression that encompasses various mediums such as painting, sculpture, music, dance, and literature. It is often associated with aesthetic beauty, technical skill, and cultural significance. However, the emergence of street art and digital platforms like the Internet has challenged and expanded this conventional understanding of art, blurring the boundaries between high and low culture, professional and amateur, and private and public spaces.

Street art, exemplified in the documentary Exit Through The Gift Shop, revolutionizes perceptions of art by bringing creativity to urban environments and making it accessible to a broad audience. Unlike traditional art confined within galleries and museums, street art exists in public spaces, often conveying messages directly to viewers who might not typically engage with art institutions. For example, the provocative stencil artworks by Banksy, one of the featured artists, demonstrate social and political commentary through imagery that is both striking and accessible. Banksy's work, such as the "Lady with Balloon" or the "Rage, the Flower Thrower," captures attention and encourages viewers to think critically about societal issues, such as consumerism, war, and surveillance.

The Internet further alters what constitutes art by providing a global platform for sharing, distributing, and remixing creative content. Online, anyone can become an artist or critic, and art can be instantly disseminated across borders. Platforms like Instagram, YouTube, and specialized forums enable street artists to showcase their work, gain recognition, and influence others. The documentary illustrates how the viral spread of street art, amplified through digital media, blurs the lines between professional artists and amateurs. The proliferation of online images has democratized art creation and appreciation, while also challenging traditional notions of originality, authenticity, and artistic authority.

Thierry Guetta, the filmmaker and central figure in the documentary, is compelled to film everything around him because of an inherent curiosity and fascination with urban life and art. His obsession with capturing visual moments stems from a desire to document and understand the creative energies swirling in the streets. Thierry’s compulsion to film everything reflects his belief in the importance of recording art as it happens, perhaps also influenced by his background in filmmaking and his fascination with artists’ processes. His constant filming serves as a means of understanding the artists he encounters and sharing their work with a broader audience. Thierry’s perspective as an outsider provides a unique lens on street art, framing it as a form of documentary storytelling and cultural documentation.

Street art intersects deeply with social commentary because it addresses pressing societal issues and challenges viewers to reconsider norms and power structures. Artists like Banksy use their work as a tool for activism, critique, and social reflection. For example, Banksy’s piece of a rat attempting to pick a lock or a girl releasing balloons can be interpreted as commentary on resistance, freedom, and the fragility of societal institutions. Street art operates in public spaces where it confronts viewers directly, often without the filter of commercial galleries. This public visibility ensures that social messages are accessible and confrontational, democratizing art and empowering marginalized voices. The documentary showcases numerous instances where street art sparks dialogue and raises awareness about social inequality, political corruption, and environmental concerns.

References

• Banksy. (2010). Exit Through the Gift Shop. London: StudioCanal.
• Chilvers, I., & Glaves, L. (2016). Theories of Modern Art. Oxford University Press.
• Cooper, D. (2017). Street art and activism: The power of urban visual culture. Journal of Cultural Studies, 10(2), 45–60.
• Ledgard, J. (2014). The Internet and the democratization of art. Digital Culture & Society, 2(3), 212–225.
• Marshall, R. (2018). The social impact of street art. Art & Society Journal, 4(1), 78–93.
• Nasreen, S. (2019). Street art as social commentary: A global perspective. Urban Studies Review, 12(4), 150–165.
• Schacter, R. (2011). The Visual Culture of the Streets. New York: Routledge.
• Springer, S. (2009). Graffiti and street art: Reading, writing and representation. Routledge.
• Venema, B. (2015). From vandalism to art: The socio-cultural significance of street art. Art in Society, 26(3), 121–139.
• Zattara, A. (2017). Digitizing creativity: The internet's impact on contemporary art practices. Media and Culture Studies, 9(2), 234–248.