Which Dynasty Saw The Reunification Of Egypt And Thus Brough

Which Dynasty Saw The Reunification Of Egypt And Thus Brought About Th

Identify the dynasty responsible for the reunification of Egypt, marking the end of the Third Intermediate Period. The options include the Eighteenth Dynasty, Twentieth Dynasty, Twenty-fifth Dynasty, and Twenty-seventh Dynasty.

Paper For Above instruction

The dynasty that saw the reunification of Egypt, ending the period known as the Third Intermediate Period, was the Eighteenth Dynasty. This period marked a significant transition in Egyptian history, characterized by the reunification of Upper and Lower Egypt under centralized royal authority. The Eighteenth Dynasty, which began around 1550 BCE, is often regarded as the start of the New Kingdom, a golden age of Egyptian culture, power, and influence. The reunification process was primarily achieved under the reign of Ahmose I, who expelled the Hyksos invaders and consolidated the territory, establishing the foundation for subsequent dynasties that would build upon this unity. This period led to numerous developments in art, architecture, and expansion of Egypt’s influence across the Near East and Africa. Unlike the Twentieth or Twenty-fifth Dynasties, which occurred later and involved foreign rule or internal fragmentation, the Eighteenth Dynasty is celebrated for restoring Egypt's sovereignty and creating a lasting legacy of renaissance and imperial strength. Therefore, the Eighteenth Dynasty is the correct answer to the question of which dynasty saw the reunification of Egypt and brought about the end of the Third Intermediate Period.

Question 2: Which two stones are considered to be the most popular stones used in Egyptian jewelry?

The two stones most favored in Egyptian jewelry historically are turquoise and carnelian. Turquoise, prized for its vibrant blue color, was associated with protection and health and was commonly used in amulets and decorative pieces. Carnelian, known for its rich orange-red hue, symbolized vitality and courage. These stones were extensively used during various periods of Egyptian history, often set in gold and other precious metals to create jewelry that was both aesthetically appealing and imbued with symbolic meaning.

Question 3: Select the new features characteristics that were used to depict queens during the Third Intermediate Period, indicating a new ideal of how women should look?

The new features used to depict queens during the Third Intermediate Period included angular breasts and small, narrow hips. These representations reflected a deviation from earlier idealized forms, emphasizing more stylized and sometimes more realistic portrayals. Rounded thighs and curvy buttocks, common in earlier periods, were less emphasized, signaling evolving aesthetic ideals that might reflect changes in cultural perceptions of femininity or artistic conventions during this era.

Question 4: This deity, _____________________, was worshipped in Bubastis and was depicted as a cat goddess in the Third Intermediate Period.

The deity worshipped in Bubastis and depicted as a cat goddess was Bastet. Bastet was associated with protection, fertility, and motherhood, embodying both fierce and gentle qualities. Her worship was significant during the Third Intermediate Period, and her images often portrayed her as a lioness or as a domestic cat, symbolizing her protective role.

Question 5: Who was Horpakhered, what does he represent, and what is a possible reason for the increase in imagery related to him?

Horpakhered was an ancient Egyptian deity associated with protection and possibly linked to the solar cults. He was often represented in funerary contexts, embodying protective qualities for the deceased. The increase in imagery related to Horpakhered during certain periods may be attributed to rising concerns with funerary security and the afterlife, especially during times of political or social instability when protective deities gained prominence to safeguard the dead and ensure their safe journey into the afterlife.

Question 6: Why did coffin decoration become so elaborate and expansive during the Twenty-first Dynasty?

The elaborate and expansive coffin decoration during the Twenty-first Dynasty was mainly driven by increased emphasis on the afterlife and the need for protective amulets and inscriptions to ensure safe passage and resurrection. The period also saw a proliferation of funerary texts and scenes designed to guide and protect the deceased. Furthermore, political decentralization and economic factors led to the development of regional workshops that specialized in creating intricate coffins, making funerary art more elaborate as a sign of wealth and status.

Question 7: Twenty-first Dynasty coffins continued the tradition of scenes relating to the daily cycle of the sun and the journey into the underworld. One common scene was the separation of the sky goddess ______________ from the earthy god _____________ during creation.

The sky goddess was Nut, and the earthy god was Geb. This scene symbolizes the separation of the heavens and the earth during the creation myth, emphasizing the cosmic order essential in funerary traditions and religious beliefs during the Twenty-first Dynasty.

Question 8: Which of these was NOT a source for the vignette papyri illustrations developed at the end of the Twenty-first and beginning of the Twenty-second Dynasty?

Litany of the Ra was NOT a primary source for the vignette papyri illustrations during this period. Instead, sources such as the Book of Gates, Amduat, and Book of the Dead provided rich iconography depicting the journey through the afterlife.

Question 9: What was the new decorative surface element introduced to statues during the mid to late Third Intermediate Period?

The new decorative surface element introduced was the use of painted or stucco overlaying the stone surface, often with intricate patterns and vibrant colors. This technique enhanced the visual impact and conveyed symbolic meanings, reflecting a shift from earlier polished stone surfaces to more elaborately decorated appearances.

Question 10: The two crowns of Upper and Lower Egypt continued into this time period. Identify the color of the: Upper Egypt Crown Lower Egypt Crown

The White Crown (Hedjet) represented Upper Egypt, typically depicted as white, while the Red Crown (Deshret) represented Lower Egypt, generally shown as red. These crowns symbolized the unification of the two regions and remained important symbols in royal regalia during the period.

Question 11: The crossed hands on anthropoid coffins went out of style under the reign of King _______________ in the Twenty-second Dynasty.

The crossed hands motif on coffins declined during the reign of Psusennes I in the Twenty-second Dynasty, reflecting changes in burial styles and religious symbolism.

Question 12: A young child god would be indicated as an infant because he wore a ____________.

The Sun Disk signifies a young child god. In Egyptian iconography, wearing a Sun Disk often indicated divinity associated with rebirth, the sun, or a child deity like Horus as an infant.

Question 13: The __________ beetle is often shown pushing the sun disk out of the underworld.

The scarab beetle is frequently depicted as pushing the sun disk, symbolizing the resurrection of the sun each day and the cycle of rebirth essential in Egyptian religion.

Question 14: What are ‘mummy braces’ or ‘mummy bands’?

Mummy braces or bands are the linen strips or decorative bandages wrapped around a mummy’s body. They often included amulets and protective charms and were a key part of Egyptian mummification practices to preserve the body and provide spiritual protection.

Question 15: This necklace decoration, and many like it, is distinguished by the blue ___________ used to make it.

The blue lapis lazuli is the material most associated with such necklaces. Lapis lazuli was highly valued in Egypt for its vivid blue color and was often used in intricate jewelry and ceremonial objects.

Question 16: The Third Intermediate period is marked by a decline in creativity, used of dull colors, and a decline in artistic standards.

False. While the Third Intermediate Period experienced some decline in centralized artistic control and political stability, it also saw regional artistic developments and innovation, especially in funerary art and jewelry.

Question 17: During the Third Intermediate Period, the it was a requirement that all stelae contain shen-signs, water and wejat-eyes.

False. While these symbols were common, there was no strict universal requirement for all stelae to contain them, though they were frequently used as protective symbols.

Question 18: More statues of women were found during this period. What metal was used for casting both male and female statues?

Bronze was commonly used for casting both male and female statues during the Third Intermediate Period, due to its durability and the increased availability of copper and tin alloys.