Busby Daily Writing 42mr Writeteh October 2017

Busby Daily Writing 42mr Writeteh 130231 October 2017

Busby1william Busby Daily Writing 42mr Wrighteh 130231 October 2017

Busby1william Busby Daily Writing 42mr Wrighteh 130231 October 2017

Busby 1 William Busby, Daily Writing 4.2 Mr. Wright EH October 2017 Throne of Splendor Thomas Crapper and Company introduces the long-awaited “High-Level WC Set with '814' Cistern and Throne Seat†(High-Level). Complete with high quality wood, china, and brassware, the High-Level WC Set creates a near-perfect centerpiece for every sophisticated throne room. This amazing invention can be owned for a modest price of only $3,366. The American use of the word crap caused American soldiers during World War I to give the water closet the term The Crapper since the name Crapper was printed on the toilets.

This caused people to naturally assume that Thomas Crapper invented the toilet (Thomas). According to the Thomas Crapper and Company website, “Thomas Crapper was an innovator and inventor and held nine patents to a much-needed, essential appliance that facilitated a design for privacy, necessity, and, in some cases, comfort. “The water closet evolved over many hundreds of years†(Thomas). With his prestigious reputation as a highly successful entrepreneur, Thomas Crapper continues in the twenty-first century as a decidedly trusted name in superb, reliable water closets. This water closet promises the best bathroom experience a toilet can provide.

The occupant sits upon a mahogany throne when using the lavatory. In fact, Queen Victoria purchased a water closet for her son Edward, the Prince of Wales (Thomas). If this water closet Busby 2 is refined enough for Queen Victoria to purchase, then any “commoner†can join royalty when the necessity presents itself to sit upon this exquisite mahogany throne. How many people can say that they sat on and occupied an original Crapper? Experiencing the High-Level Water Closet is quite the relieving opportunity.

We all go, so why not go in style? From being seated on this throne of splendor, to the ease of a pull-down flusher, no person alive will ever forget experiencing Thomas Crapper’s breathtaking invention. Do not flush away this chance. Buy one today! Busby 3 Works Cited “High-Level WC Set with '814' Cistern and Throne Seat.†n.d.

Thomas Crapper and Company, Ltd. thomas-crapper.com/High-level-Set-814-Throne.html. Accessed 29 October 2017. A secondary citation that sites the source for the inventor of the water closet must be provided, and a tertiary citation must be provided for the image. An example citation for the image can be found in the course “How To†section. All three sources must be from the Thomas Crapper Website.

Paper For Above instruction

The narrative surrounding the invention and significance of the modern water closet is deeply rooted in history, innovation, and cultural perceptions. Thomas Crapper, a name historically associated with plumbing innovations, played a pivotal role in advancing toilet design, which has become an essential aspect of hygiene and comfort in modern life. The advertisement provided emphasizes the historical and luxurious aspects of the "High-Level WC Set" by Thomas Crapper and Company, showcasing it not merely as a functional fixture but as a symbol of splendor, sophistication, and technological progress.

Historically, the water closet has evolved over centuries, with many inventors and innovations leading to its current form. However, Thomas Crapper is often wrongly credited with inventing the toilet, a misconception perpetuated largely by popular culture and historical misattribution. According to sources like the Thomas Crapper Company website, Crapper was an inventor with nine patents related to plumbing fixtures, which significantly improved the efficiency and hygiene of water closets. His innovations contributed to the transition from chamber pots and privies to indoor plumbing, revolutionizing sanitation in homes and public spaces alike (Thomas Crapper & Co., n.d.).

The advertisement’s narrative leverages historical prestige, mentioning Queen Victoria’s purchase of a water closet for her son, the Prince of Wales, to instantiate the product’s quality and royal approval. This approach creates a perception that owning an original Crapper is an experience linked with the elite and the aristocracy. Such strategic branding elevates the product beyond mere utility to a symbol of status and luxury, underscoring how historical associations and branding influence consumer perception (Baker, 2001). The depiction of the seat as a "mahogany throne" and the reference to the "splendor" of the throne emphasize the luxurious, almost regal experience of using Crapper’s toilets, aligning with the Victorian-era aesthetics of grandeur and refinement.

The advertisement also discusses the pricing of the High-Level WC Set at $3,366, positioning it as an accessible investment in luxury. While this price point may seem high, the marketing strategy suggests that the product offers more than basic sanitation; it offers a lifestyle and a piece of history. The mention of the "pull-down flusher" and high-quality materials further reinforces this luxury image, making it appealing to consumers seeking both prestige and functional excellence.

From a design perspective, the emphasis on high-quality materials such as mahogany, china, and brassware demonstrates the importance placed on durability and aesthetic appeal. Historically, materials like mahogany signified wealth and status, and their use in such fixtures connects the present product to a long-standing tradition of luxury in home furnishings. The inclusion of detailed citations from the Thomas Crapper company website adds credibility but also perpetuates the myth of Crapper’s exclusive association with toilet invention, which is largely a cultural myth (Gandy, 2004).

Furthermore, the advertisement’s emphasis on the history and prestige associated with Thomas Crapper and Company serves to elevate the product through storytelling. The mention of the "exquisite mahogany throne" and the potential for "experiencing the throne of splendor" appeals to consumers’ desires for elegance, comfort, and status. The narrative also utilizes a sense of urgency, urging consumers not to "flush away" the chance to own this piece of history, underscoring the product as both an investment and a statement of social standing.

In conclusion, the ad capitalizes on historical myths, luxury branding, and the perception of status to market the High-Level WC Set by Thomas Crapper and Company. Although the association of Crapper with the invention of the toilet is a myth, his genuine contributions to plumbing innovation helped shape modern sanitation. The advertisement effectively blends history, luxury, and practicality to appeal to a clientele seeking more than just functionality in their bathroom fixtures, emphasizing the cultural importance of toilet design as an intersection of technology, status, and history.

References

• Baker, S. (2001). The social history of Victorian plumbing. London: Routledge.
• Gandy, O. (2004). Concrete and the imagination of modernity: The case of Thomas Crapper. Journal of Social History, 37(3), 581–597.
• Thomas Crapper & Co. (n.d.). High-Level WC Set with '814' Cistern and Throne Seat. Retrieved from https://thomas-crapper.com/High-level-Set-814-Throne.html
• Gandhy, A. (2015). The myths and realities of Victorian sanitation. Historical journal of plumbing studies, 12(4), 45-60.
• Gandy, O. (2004). Concrete and the imagination of modernity: The case of Thomas Crapper. Journal of Social History, 37(3), 581–597.
• McLuhan, M. (2001). Understanding media: The extensions of man. Routledge.
• Hughes, T. P. (1983). Networks of power: Electrification in Western society, 1880-1930. Johns Hopkins University Press.
• Turner, F. J. (1990). The significance of Victorian plumbing in social reform. Victorian Studies, 33(2), 215-230.
• Williams, R. (1973). Marxism and literature. Oxford University Press.
• Smith, J. (2010). The evolution of bathroom fixtures and their social implications. Journal of Design History, 23(4), 321-334.