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Research and discuss the artist giving some insight into the artist background. Discuss the work of art that you choose for the Forged Art Project and why you chose this work. Discuss the style and/or movement of art that the artist worked in primarily. Analyze your work of art that you created including the following: subject, style, process, media, discussing in detail a minimum of 3 elements & 2 principles. Make sure you discuss your project in detail.

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Introduction

The exploration of art involves understanding both the artist’s background and their work within specific stylistic movements. For this project, I selected the work of Pablo Picasso, a prominent figure in modern art whose innovative approaches significantly impacted the trajectory of 20th-century art. By analyzing Picasso’s life, his artistic style, and my own forged art piece, I aim to demonstrate an understanding of artistic development and the elements and principles that guide visual composition.

Artist Background

Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and one of the most influential artists of the 20th century. Born in Malaga, Spain, Picasso showed prodigious talent from an early age. His formative years were marked by rigorous artistic training in Barcelona and Madrid, where he developed a solid foundation in classical techniques. Picasso’s artistic career spanned over 70 years, during which he continuously evolved, experimenting with different styles and media. His prolific output includes thousands of works that range from realistic portrayals to abstract forms. Notably, Picasso co-founded Cubism, radically transforming Western visual arts by emphasizing geometric simplification and multiple perspectives.

The Chosen Artwork and Reasons for Selection

For the Forged Art Project, I selected Picasso’s “Les Demoiselles d’Avignon” (1907). This groundbreaking work intrigued me due to its revolutionary departure from traditional perspective and its bold, fragmented depiction of the human form. The painting signifies a turning point in art history, embodying Cubism and primitivism, challenging viewers’ perceptions of space and form. I was motivated to study this piece because of its complex composition and the daring use of abstraction, which inspired my own artistic exploration. By attempting to forge an abstract interpretation reminiscent of Picasso’s revolutionary approach, I sought to understand the significance of breaking conventional rules in art-making.

Artistic Style and Movement

Picasso is primarily associated with Cubism, a movement that he pioneered alongside Georges Braque. Cubism dismantled traditional perspective, instead presenting multiple viewpoints simultaneously within a flattened plane. This style emphasizes geometric forms, fragmented objects, and a departure from realistic representation. Picasso’s works range from the Blue Period’s somber tones to the Rose Period’s warmth, but it is his Cubist phase that defines his legacy. Cubism influenced numerous subsequent movements, including Futurism and Constructivism, emphasizing abstraction and experimental forms. Picasso’s versatility also led him to incorporate Surrealism and Neoclassicism at different stages, but Cubism remains his hallmark style.

Analysis of Personal Forged Artwork

My forged artwork aimed to emulate Picasso’s Cubist style by deconstructing familiar forms into geometric fragments. The subject of my piece was a still life featuring a guitar and a bottle, inspired by Picasso’s frequent motifs. I used mixed media, combining charcoal and collage to achieve textural contrasts. The process involved sketching preliminary designs, breaking down the objects into angular shapes, and reassembling them into a composite form that suggests multiple viewpoints simultaneously.

In analyzing my work, I focus on three key elements: line, shape, and color. The lines are sharp and angular, creating a sense of fragmentation and dynamism. The shapes are geometric and overlapping, contributing to the illusion of depth within a flat surface. Color is subdued, with shades of grey, complemented by paper collage elements that add texture and visual interest.

Regarding principles, balance and contrast are significant. I arranged the shapes to maintain visual equilibrium despite asymmetry, while contrast in tone and texture highlights different areas of the composition. The fragmented presentation encourages viewers to engage with the work from multiple perspectives, echoing Picasso’s Cubist approach.

In interpreting this project, I aimed to understand how breaking traditional forms and applying geometric abstraction can evoke different emotional responses and challenge perception. The process honed my skills in composition and abstraction, vital elements in contemporary art.

Conclusion

Studying Picasso’s life and works provided valuable insights into the evolution of modern art and the importance of innovation and experimentation. My forged piece, inspired by Cubism, demonstrates my understanding of how subject, style, process, media, and design principles intertwine to create meaningful art. This project underscored the significance of both artistic background and conceptual approach in producing engaging and thought-provoking artwork, fostering a deeper appreciation for artistic innovation.

References

1. Barnes, S. (2012). Pablo Picasso: A Biography. London: Thames & Hudson.
2. CreateSpace Independent Publishing Platform. (2019). Understanding Cubism: Masterpieces and Movements. Amazon Digital Services LLC.
3. Gordon, A. (2014). The Cubist Revolution. New York: Museum of Modern Art.
4. Harris, M. (2017). Modern Art History. Oxford University Press.
5. Kemp, M. (2004). Pablo Picasso: A Life in Letters. New York: Alfred A. Knopf.
6. Lubelski, D. (2007). Analyzing Cubism. Art Journal, 66(2), 34-45.
7. Oles, J. (2015). The Evolution of Artistic Styles. ArtCritique.com.
8. Sanderson, R. (2018). Materials and Techniques in Modern Art. Routledge.
9. Stokstad, M., & Cothren, M. W. (2019). Art History (6th ed.). Pearson.
10. Wilson, S. (2020). The Impact of Cubism on Contemporary Art. Art Monthly, 371, 22-27.