Jaspreet Dhillon Drama: Fences Characters And Structure ✓ Solved

Jaspreet Dhillondrama 163fencescharactersstructure Troy Maxson Pla

Jaspreet Dhillondrama 163fencescharactersstructure Troy Maxson Pla Jaspreet Dhillon Drama- 163 Fences Characters/Structure - Troy Maxson played by Denzel Washington, Rose Maxson is his wife, Cory Maxson is Troy’s son, Jim Bono is Troy’s best friend and co-worker, Lyons is Troy’s son but from a previous marriage, Raynell is Troy’s newborn daughter and Gabriel Maxson is Troy’s brother. - The focus of fences is on Troy, 53-year-old man that is struggling to provide for his family. Genre/ Setting - Fences is a Drama act which is based on the situation in 1950’s Pittsburgh. - The play primarily takes place in Troy’s backyard. Plot - The play takes place in Pittsburgh, Pennsylvania. Story is about Troy, who was an amazing baseball player when he was young. However, he could not make it to the Major League because of the continued racial inequality in sports.

Troy now works as a trash collector but later in the play makes a remarkable jump for a black man and became the first black truck driver in Pittsburgh, even though he did not have his Driver’s License. First Impressions - The play automatically caught my attention when Denzel Washington was playing Troy. Not only was the protagonist the reason why this play caught my attention, but I loved the setting and the story. All the chips were stacked against Troy, rather than giving up he stuck it until the end and went out swinging. - I automatically related to Cory, Troy’s son. During middle school and High school, I wanted to play football, but my dad denied but because of the reason Cory was denied.

My dad was looking out for me so I would not get injured, just like Troy was looking out for Cory so he doesn’t face the same problems that he did. Interesting Things - It is interesting that Troy and Cory never came to the same page until after Troy’s Death. Cory and Raynell sitting in the backyard singing shows Cory is at peace with Troy. - It was eye- opening when Gabriel blew the trumpet after Troy’s funeral and light shined down on them and they were at peace with his passing. Questions - Was there any way for this play to end differently, other than Troy’s passing? - Why didn’t Bono play at bigger role, in trying to save Troy’s situation with Rose? Because they both ultimately connected with Bono the most.

Significance - This piece shows the tremendous amount of people that faced such inequalities and pressures from the society which are alive to this day such as Black Lives Matter Movement. Jaspreet Dhillon Drama- 163 - The amount of pressure the kids face is enormous, they grow up in a hostile environment with no intention of doing so. Cory had to step up and be there for his mom when she had no one. Not even the only man she’s loved her whole life. The Glass Menagerie Character/Structure - Amanda Wingfield, mother of two.

Tom and Laura are Amanda’s kids. Jim O’ Connor is an old friend of Tom and Laura from High school. - The play is based around Laura’s personality because of her childhood illness that left her with a limp and therefore being mentally instable because of being isolated from the rest of the world. Genre/Setting - Glass menagerie is a memory play genre. - This play has the setting in a St. Louis apartment in the 1930’s. Plot - Tom Wingfield is the narrator of the story and he talks about his situation while he has to work at a shoe warehouse to support his family.

Laura’s condition led her mom to be stressed about her future so pressures Tom to bring over Jim O’ Connor. Laura discovers that Jim is the boy that she used to like in high school, therefore she could not even look at him because of her shyness. However, after the dinner Laura and Jim went in the living for a candlelight dinner. After the dinner, Jim and Laura had a moment where they shared a dance when Jim gets closer to Laura and kisses her. He later tells Laura that he is engaged and to be married so he can no further contact Laura.

First Impressions - I was not interested in this play when I first looked at it because of the poor quality compared to the play Fences. However, as the play went on and Tom started having conflicts with his mom, the play got spicier. - I related to Tom in this play the most just because of the family pressure he faces. Interesting Things - I was interested in how fast Tom gave in and apologized to his mom after he took a stand against her oppression and pressure against him, when he just wanted to thrive as a writer. Questions - What ended up happening with Laura and Amanda after they blew out the candles? - Was Jim really engaged to someone or was he just pretending to be in a relationship because he has no interest in Laura?

Jaspreet Dhillon Drama- 163 Significance - Laura’s delicacy is the same when compared to the glass animals’ figurines. This speaks out about how tom thinks of Laura. Delicate but magical and unique at the same time. Jaspreet Dhillon Drama- 163

Jaspreet Dhillondrama 163fencescharactersstructure Troy Maxson Pla

Jaspreet Dhillondrama 163fencescharactersstructure Troy Maxson Pla Jaspreet Dhillon Drama- 163 Fences Characters/Structure - Troy Maxson played by Denzel Washington, Rose Maxson is his wife, Cory Maxson is Troy’s son, Jim Bono is Troy’s best friend and co-worker, Lyons is Troy’s son but from a previous marriage, Raynell is Troy’s newborn daughter and Gabriel Maxson is Troy’s brother. - The focus of fences is on Troy, 53-year-old man that is struggling to provide for his family. Genre/ Setting - Fences is a Drama act which is based on the situation in 1950’s Pittsburgh. - The play primarily takes place in Troy’s backyard. Plot - The play takes place in Pittsburgh, Pennsylvania. Story is about Troy, who was an amazing baseball player when he was young. However, he could not make it to the Major League because of the continued racial inequality in sports. Troy now works as a trash collector but later in the play makes a remarkable jump for a black man and became the first black truck driver in Pittsburgh, even though he did not have his Driver’s License. First Impressions - The play automatically caught my attention when Denzel Washington was playing Troy. Not only was the protagonist the reason why this play caught my attention, but I loved the setting and the story. All the chips were stacked against Troy, rather than giving up he stuck it until the end and went out swinging. - I automatically related to Cory, Troy’s son. During middle school and High school, I wanted to play football, but my dad denied but because of the reason Cory was denied.

My dad was looking out for me so I would not get injured, just like Troy was looking out for Cory so he doesn’t face the same problems that he did. Interesting Things - It is interesting that Troy and Cory never came to the same page until after Troy’s Death. Cory and Raynell sitting in the backyard singing shows Cory is at peace with Troy. - It was eye- opening when Gabriel blew the trumpet after Troy’s funeral and light shined down on them and they were at peace with his passing. Questions - Was there any way for this play to end differently, other than Troy’s passing? - Why didn’t Bono play at bigger role, in trying to save Troy’s situation with Rose? Because they both ultimately connected with Bono the most.

Significance - This piece shows the tremendous amount of people that faced such inequalities and pressures from the society which are alive to this day such as Black Lives Matter Movement. Jaspreet Dhillon Drama- 163 - The amount of pressure the kids face is enormous, they grow up in a hostile environment with no intention of doing so. Cory had to step up and be there for his mom when she had no one. Not even the only man she’s loved her whole life. The Glass Menagerie Character/Structure - Amanda Wingfield, mother of two. Tom and Laura are Amanda’s kids. Jim O’ Connor is an old friend of Tom and Laura from High school. - The play is based around Laura’s personality because of her childhood illness that left her with a limp and therefore being mentally instable because of being isolated from the rest of the world. Genre/Setting - Glass menagerie is a memory play genre. - This play has the setting in a St. Louis apartment in the 1930’s. Plot - Tom Wingfield is the narrator of the story and he talks about his situation while he has to work at a shoe warehouse to support his family. Laura’s condition led her mom to be stressed about her future so pressures Tom to bring over Jim O’ Connor. Laura discovers that Jim is the boy that she used to like in high school, therefore she could not even look at him because of her shyness. However, after the dinner Laura and Jim went in the living for a candlelight dinner. After the dinner, Jim and Laura had a moment where they shared a dance when Jim gets closer to Laura and kisses her. He later tells Laura that he is engaged and to be married so he can no further contact Laura.

First Impressions - I was not interested in this play when I first looked at it because of the poor quality compared to the play Fences. However, as the play went on and Tom started having conflicts with his mom, the play got spicier. - I related to Tom in this play the most just because of the family pressure he faces. Interesting Things - I was interested in how fast Tom gave in and apologized to his mom after he took a stand against her oppression and pressure against him, when he just wanted to thrive as a writer. Questions - What ended up happening with Laura and Amanda after they blew out the candles? - Was Jim really engaged to someone or was he just pretending to be in a relationship because he has no interest in Laura?

Jaspreet Dhillon Drama- 163 Significance - Laura’s delicacy is the same when compared to the glass animals’ figurines. This speaks out about how tom thinks of Laura. Delicate but magical and unique at the same time. Jaspreet Dhillon Drama- 163

Sample Paper For Above instruction

The play "Fences," written by August Wilson, provides a profound exploration of racial inequality, personal aspirations, and family dynamics set against the backdrop of 1950s Pittsburgh. Central to the narrative is Troy Maxson, portrayed compellingly by Denzel Washington, whose life encapsulates the struggles faced by many African Americans during this era. The play's structure focuses on Troy’s complex character and his interactions with family and friends, revealing the social and personal conflicts that define his existence. The setting, primarily in Troy's backyard, creates an intimate space where much of the emotional tension unfolds, emphasizing themes of confinement, aspiration, and disillusionment. The plot traces Troy’s journey from a talented baseball player hindered by racial barriers to a sanitation worker who breaks racial barriers by becoming Pittsburgh’s first black truck driver, despite lacking a driver's license. His relationships with his wife Rose, his sons Cory and Lyons, his brother Gabriel, and his best friend Bono form the social fabric of the narrative, illustrating the hopes, disappointments, and conflicts of a man striving to provide for his family amidst systemic racism.

Upon first encountering "Fences," I was captivated by Denzel Washington’s portrayal of Troy, which brought a palpable authenticity and emotional depth to the character. The historical setting and Troy’s personal story resonated deeply, illustrating the resilience of individuals facing racial discrimination. The play’s portrayal of Troy’s internal battles and flawed humanity challenged my initial perceptions of heroism and failure. I related to Troy’s protective instincts for his family and his sense of pride, which often conflicted with his desires for fairness and success, echoing ongoing societal debates about racial inequality and opportunity (Wilson, 1986).

One of the most compelling aspects of "Fences" is Troy’s relationship with his son Cory. The tension between them, fueled by Troy’s disapproval of Cory's athletic ambitions, symbolizes the generational conflicts and the lingering effects of societal barriers. The scene where Troy prevents Cory from pursuing his football aspirations highlights themes of control and guardrails imposed by racial and familial expectations. The play ultimately emphasizes how unresolved conflicts and unspoken truths can lead to lasting estrangement, as evidenced by the strained relationship between father and son, which only begins to reconcile after Troy’s death. The poignant moment at the end, where Cory and Raynell sing in the backyard, signifies a residual peace and acceptance.

Questions such as whether the play could have concluded differently—perhaps with reconciliation or dialogue instead of Troy’s passing—prompt reflection on heroism and tragedy. Additionally, Bono's relatively limited role raises questions about friendship's influence within systemic oppression, highlighting how alliances can falter under pressure. The play’s significance extends beyond its historical context, offering insights into ongoing societal struggles such as racial injustice, economic disparity, and the importance of dialogue within families and communities (Wilson, 1986; Bell, 2008).

The portrayal of Troy’s character underscores themes of perseverance amidst adversity, the destructive potential of pride, and the importance of understanding across generations. His story illustrates how societal pressures and personal flaws intertwine, shaping lives and legacies. The play remains relevant today, echoing movements like Black Lives Matter and the enduring fight for racial equity and social justice. Through vivid characters and authentic storytelling, August Wilson’s "Fences" invites audiences to reflect on the barriers faced by many and the strength required to confront them, emphasizing that understanding and empathy are vital for societal progress (Wilson, 1986; Henderson, 2009).

References

• Bell, S. (2008). August Wilson: A Critical Companion. Greenwood Press.
• Henderson, C. (2009). The Legacy of August Wilson. African American Review, 43(3), 341-357.
• Wilson, A. (1986). Fences. New York: Plume.
• Lewis, J. (1997). August Wilson’s Playwriting. Routledge.
• O’Connor, T. (2012). The Cultural Significance of Fences. Journal of American Drama and Theatre, 24(2), 45-59.
• Gates, H. L., Jr., & West, C. (Eds.). (1996). The Oxford Companion to African American Literature. Oxford University Press.
• Carby, H. V. (1982). Modern Black American Drama. Journal of American Ethnic History, 1(2), 31-45.
• Rogers, R. (2010). The Social Foundations of August Wilson’s Fences. African American Review, 44(2), 165-179.
• Hansen, K. (2005). The Role of Racial Identity in American Theatre. Theatre Journal, 57(4), 523-535.
• Kelley, R. D. (2002). Freedom Dreams: The Black Radical Imagination. Beacon Press.