Lab 5 LED Patterns Due Date 10/20/2020 ✓ Solved

Lab 5 Ledpatternsdue Date 10202020for Lab 5 You Will Create A

For Lab #5, you will create a hardware component called LED_patterns that will create light patterns using the LEDs on the DE10-Nano board. This component will run in the FPGA fabric and you will create this component in VHDL. You will instantiate the LED_patterns component at the top level in your Quartus project with register signals hardcoded. The entity signals include clk, reset, PB, SW, HPS_LED_patterns, SYS_CLKs_sec, Base_rate, LED_reg, and LED output. The function is controlled by the HPS_LED_control signal, switching between hardware state machine control and software control via LED_reg.

The hardware control mode (HPS_LED_control == 0) requires implementation of a LED Patterns State Machine with five states, each presenting distinct LED patterns at different rates, including blinking, shifting, counting, and a custom pattern. When the pushbutton (PB) is pressed, state transitions occur after displaying the switch binary code on LEDs for 1 second, ignoring switches with values 5 or greater. The PB_conditioner component is used to synchronize, debounce, and generate a single pulse per press.

Sample Paper For Above instruction

Introduction

The distinction between a movie and a film is often misunderstood but is vital for appreciating cinematic artistry. As Bill Swanson articulates, movies are primarily entertainment, designed for quick consumption, while films are a medium for conveying meaningful messages that "feed the mind." In the context of modern society, films have become significant cultural artifacts, shaping perspectives and fostering intellectual engagement (Swanson, p. 45; p. 47). The role of a film extends beyond mere storytelling; it challenges viewers to think critically about themes, characters, and symbols. This depth transforms films into potent tools for mental stimulation and reflection, elevating their status from simple entertainment to meaningful art. Understanding this distinction allows viewers to appreciate the profound impact films can have on the mind and overall cultural discourse.

Plot Summary

Chosen Film: The Seventh Seal

Ingmar Bergman’s "The Seventh Seal" is set in Sweden during the Black Death, depicting a knight, Antonius Block, returning from the Crusades who encounters Death personified on a deserted beach. Driven by existential questions, Antonio challenges Death to a chess game, hoping to delay his fate long enough to find meaning in life. Throughout the film, Antonio and his squire, Jöns, encounter various characters embodying human fears, faith, doubt, and despair. Their journey unfolds through symbolic scenes portraying Life, Death, faith, and doubt, culminating in a poignant reflection on mortality and spiritual salvation.

The film explores themes of faith versus doubt, the silence of God, and the search for meaning amid chaos. As Antonio plays chess with Death, the narrative interweaves images of spiritual longing, despair, and hope. The characters’ interactions reveal deep philosophical questions about existence and the human condition. Bergman’s use of stark monochrome visuals accentuates the bleakness of their world yet offers glimmers of hope through moments of spiritual insight. The film’s complex symbolism, character development, and setting serve to challenge viewers’ perceptions of life and death, compelling audiences to introspect on their beliefs and values.

How the Film "Feeds the Mind"

Analysis of Themes

"The Seventh Seal" delves deeply into existential philosophy, prompting viewers to ponder fundamental questions about life, death, faith, and the existence of God. Bergman’s portrayal of spiritual doubt challenges audiences to reflect on their own beliefs, fostering existential awareness (Kermode, 2000). The film’s exploration of faith versus doubt encourages critical thinking about religious and philosophical ideas, thus nourishing the viewer’s intellectual curiosity. This engagement with profound themes distinguishes it as a film that "feeds the mind"—it requires active interpretation and introspection, unlike superficial entertainment that merely distracts.

Character Development

The characters in the film embody universal human concerns. Antonius’ existential crisis and his confrontations with Death serve as allegories for human mortality and the search for meaning. The interaction between characters reveals different responses to despair, faith, and hope, encouraging the viewer to examine their own reactions to similar questions (Hoeber, 2008). Such character-driven narratives stimulate empathy and moral reflection, essential components of mental engagement.

Use of Symbols and Setting

The film employs powerful symbols—such as the chess game with Death, the Silence, and the burning crosses—to represent philosophical ideas and spiritual struggles. The bleak, monochrome landscape reinforces themes of despair and mortality, prompting viewers to confront uncomfortable truths about human existence (Bergman, 1957). The historical setting of the Black Death serves as a backdrop that heightens the emotional impact and invites consideration of societal responses to crises, thus broadening cognitive horizons.

Research and Critical Perspectives

Scholars have lauded "The Seventh Seal" for its philosophical depth and visual symbolism. Koenigsberg (2005) notes that Bergman’s use of existential themes provokes viewers to question the silence of God and the meaning of life beyond superficial understanding. Understanding these critiques enhances the viewer’s appreciation of the film’s intellectual rigor, further establishing it as a film that "feeds the mind."

Conclusion

"The Seventh Seal" offers profound philosophical insights through its exploration of mortality, faith, and human suffering. Its analysis of complex themes, character development, and symbolic setting compels viewers to reflect deeply on their existence and beliefs. Thus, Bergman’s masterwork exemplifies how cinema can serve as an intellectual stimulus, feeding the mind beyond mere entertainment. It remains a powerful testament to the capacity of film to inspire thought, challenge perceptions, and deepen understanding of the human condition.

References

• Bergman, Ingmar. (1957). The Seventh Seal. Svensk Filmindustri.
• Hoeber, Josh. (2008). "Existential Cinema and Bergman’s Philosophy." Journal of Film and Philosophy, 22(3), 45-67.
• Kermode, Frank. (2000). The Sense of an Ending: Studies in the Theory of Fiction. Oxford University Press.
• Koenigsberg, Richard. (2005). "Images of Faith in Bergman’s Films." Film Quarterly, 58(2), 24-36.