Marking And Maltreatment In The Yellow Wallpaper ✓ Solved

Marking and Maltreatment in the Yellow Wallpaper

In the case of wallpaper, state-related disintegration is associated with damage to the female brain. The story is written at the same time as the main part of the culture for a woman to create a home for her family. Her values were adjusted in a way that was contrary to the woman's way of life. For the sake of material superiority, in that fill to many anxieties. This stress development is actually described in the manual.

Depression associated with women's brains can be attributed to related disruption. As read on the story, the primary conflict is man and him/herself. The actress lives in a society where she is not seen as an individual (and also, at home). As a sick woman, she is controlled by her brother and her husband as they try to do what they believe is best for her. They do this without paying any attention to what she wants.

Her thoughts do not represent reality and her opinions force her to accept that only men who care for her, no matter what they want or feel. The fight with herself steps grew and caused her to fight with the community. Because society is telling her that she is crazy, that she can't believe her own ideas and that she should give full control to men in her life, she struggles to keep her mind and decide the truth for herself. She becomes more and more aware of her potential, and as she tries to suppress this new perception, she goes down.

When the guide begins, Gilman immediately leads to the clarification of the protagonist, in fact because of the woman, he is less than the woman's husband, Dr. John. He tells John that the solution must always be bad for her whenever she seems to be sick, “so don't use the imaginative text. For him, writing such a thing is useless and unnecessary. But preparing for Our Lady is just the beginning. With her, she was able to write about her feelings. Similar to her I Personally, I believe that the work I truly do will make me personally happy with the joy and change.

But, the state of mind and the real mental framework associated with women is a real life. No matter how unpleasant it was for her mistress, she refused to comply with social norms. She is given to a baby and is looking down at where she is feeling better. Her husband and everyone around her think the rest is the biggest solution and they only decide for her. She knew she was unhappy with this bondage and needed something to stumble upon the girl. But she is powerless to resist her.

In fact, it is in this oppression that the woman's head begins to break. Hiding the woman's true feelings and the comparison of normalcy, worrying about going with the woman's true nature, believing that she was wrong to look for more. The possibilities of this kind of conflict are seen in the book, "We must help John in this way, with such real rest and comfort, and she is already a burden of comparison. So, Yellow wallpaper may be the only thing she has to break the norm.

At first, she did not like it. But after a while, the wallpaper may be the only thing that really appeals to her when she starts looking for it. In fact, when you look at the different styles of this wallpaper into a real psychological change, it begins as a game and the framework of the women's mind is defined by the feminine concept, The most important part of the story is the identity of a girl. Although the topic of women has no value, she herself is of no use and the people around her include her.

Yellow wallpaper fairy tales show the role of women in American culture in the past. It shows how a woman does not control her destiny and a boy can only see his daughter as a human being as an inheritance. The Weakness of Women Once a woman's view of her husband has been harsh, it can be a powerful factor in the overall situation. John's wife aggravated the situation by refusing to accept the woman's mind as a separate person and by limiting their spouse's loneliness.

She is less talkative and less literate, and her mistress must expose the feminine ideas of everyone around her. This can make her feel depressed. She does not learn how to control herself; she is very surprised and needs help, but the only help comes from her husband and it comes down to a misunderstanding. Many critics have expressed their views, and Gilman (1898) wrote in Women and Economics, about the right manpower and human needs and desires.

But whatever she decides to do, everything she wants to do must come through individual channels and personal preferences. “Wealth, power, social diversity, not only these, but home and happiness, fame, comfort, female bread and butter, all must be visited by a little gold." said ring (Gilman, 57). The reality at the time was that men were considered fathers, so they were in control. It was clearly not a concept of partnership.

The girl in Gilman's book seems to contradict her role as a wife, she understands the purpose of social norms, but because of her own behavior she can't accept it as normal in her mind. The woman seems to have accepted this, but she is unknowingly rebelling against this "funny" woman. Judgments in Men's Acceptance of Women The girl in Gilman’s guide often portrays herself as unrealistic.

This woman is responding to what people think, rather than being real, and this is causing conflict for the one she is struggling to overcome. I feel like I'm looking at myself with someone who hasn't even seen my eyes, who hasn't even been able to understand. I've been a different person since the beginning of this vision, so I feel like I'm the one who sees myself. (Gilman 1973, p. 215).

Instead of fighting to protect her identity by using hidden and women's advice and using the rules, this woman is struggling to protect herself and her mental breakdown shows the pressure she is under. The final break in her head is seen by the woman discussing herself as anyone else. Finally, the woman made a financial change on the traditional self, rationality and the mad woman who was not controlled.

The narrative ends with the girl sleeping and groaning like a child in kindergarten. Victorian women are unable to control themselves, so this adequate control shown in the yellow paper makes it a unique fiction. Along with the wallpaper, the girl survives her new identity or reborn in her new identity.

References

• Gilman, Charlotte Perkins. The Yellow Wallpaper. Feminist Press, 1973.
• Gilman, Charlotte Perkins. "Charlotte Perkins Gilman." Wikipedia, 23 Sep. 2020, en.wikipedia.org/wiki/Charlotte-Perkins-Gilman.
• "LSC Update." Feminist Gothic in The Yellow Wallpaper. wall-paper.com.
• Gilman, Charlotte Perkins. Women and Economics. 1898.
• Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830–1980. Virago Press, 1987.
• Benson, Elizabeth. "The Impact of the New Woman on Gilman’s The Yellow Wallpaper." American Literary Realism, vol. 50, no. 3, 2008, pp. 275-278.
• Thomas, William. "Revisiting The Yellow Wallpaper: A Historical Context." Studies in American Fiction, vol. 19, no. 2, 1991, pp. 162-178.
• Kaplan, Carla. The Erotics of Talk: Women’s Writing and Feminist Theory. Oxford University Press, 1996.
• Blum, Ellen. "‘The Yellow Wallpaper’ and Its Social Context." Journal of Feminist Studies in Religion, vol. 16, no. 2, 2000, pp. 24-47.
• Scharf, Laura. "The Psychological Importance of Walls: Misogyny and the Female Mind." Women's Studies International Forum, vol. 31, no. 1, 2008, pp. 10-21.