Oscar Winners - Watch A Film That Wins

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Watch a film that won an Oscar associated with its screenplay. Write 3 - 5 paragraphs about why you think this film won an Oscar for its screenplay (Do not chose a film that you have already posted on). Reference applicable concepts and vocabulary from this week's course material. Make sure that the focus is on the screenplay, not the acting or directorial choices.

SEE THE 7 QUESTIONS I HAVE ON SCREENPLAY ANALYSIS ON THE WEEK 7 ANNOUNCEMENT PAGE TO HELP YOU WITH YOUR ANALYSIS. NOTE: IF FOR SOME REASON, THE SCREENPLAY IS NOT AVAILABLE VIA THE LINK, AND SOME AREN'T UNFORTUNATELY, I JUST FOUND OUT MYSELF, DO A SEARCH WITH THE TITLE OF THE FILM AND SCREENPLAY AS PART OF THE TITLE: DJANGO UNCHAINED SCREENPLAY. NOTE: THIS IS ABOUT THE SCREENPLAY, SO WHAT MAKES A GOOD SCREENPLAY? A GOOD PLOT, STRONG CHARACTERIZATION AND A SATISFYING RESOLUTION AT THE END? YOU DECIDE:-)) WATCH THE THREE VIDEOS ON SCREENPLAY WRITING. THEY ARE QUITE GOOD.

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Choosing a film that has won an Oscar for its screenplay offers an opportunity to analyze the elements that elevate a screenplay from good to award-winning. One exemplary film that received this accolade is "The Shape of Water" (2017), directed by Guillermo del Toro, which won the Academy Award for Original Screenplay. The screenplay’s success can be attributed to its compelling narrative structure, rich characterization, and thematic depth, all combined to create a captivating story that resonated with audiences and critics alike. This analysis will explore these elements, focusing primarily on the screenplay’s craft rather than acting or directing choices, and examining why it stood out among nominees.

The screenplay of "The Shape of Water" exemplifies effective use of narrative structure by blending elements of fairy tale romance with Cold War-era tension, creating a unique juxtaposition that keeps viewers engaged. The screenplay employs a clear progression from introduction to resolution, utilizing rising action to develop the protagonist’s emotional journey. The use of a non-linear approach in some scenes adds depth and invites viewers to interpret the narrative more actively. The screenplay’s ability to balance multiple plot threads smoothly—such as Elisa’s personal growth, her relationship with the creature, and her interactions with government agents—demonstrates sophisticated plotting that sustains suspense and emotional engagement, a key factor in its Oscar recognition.

In addition to plot, character development is central to the screenplay's excellence. The script features complex characters with layered motivations and distinct voices. Elisa, portrayed as a mute cleaning lady, is articulated through her actions, gestures, and inner monologue, which the screenplay captures with nuanced detail. The creature, too, evolves from a feared beast to a sympathetic character, challenging traditional notions of morality and empathy. These characters are crafted with strong characterization techniques, such as detailed backstories, clear goals, and conflicts, which make them authentic and relatable. This compelling characterization fosters emotional investment and is a hallmark of award-winning screenplays.

The screenplay’s thematic richness also contributes to its Oscar win. Concepts such as love beyond language, societal rejection, and the desire for acceptance are woven into the narrative, giving it philosophical depth. The use of symbolism, like water representing both freedom and danger, enhances thematic resonance. Moreover, the culmination of these themes in a satisfying resolution—Elisa’s escape with the creature and her renewed sense of hope—provides emotional catharsis. The screenplay’s deft handling of these elements ensures a balanced resolution that is both satisfying and thought-provoking, securing its position as a distinguished example of exemplary screenwriting.

References

  • Field, S. (2005). Screenplay: The Foundations of Screenwriting. Delta.
  • McKee, R. (1997). Story: Substance, Structure, Style, and the Principles of Screenwriting. ReganBooks.
  • Snyder, B. (2005). Save the Cat! The Last Book on Screenwriting You'll Ever Need. Chronicle Books.
  • Truby, J. (2007). The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber & Faber.
  • Coppa, F. (2010). The Art of Screenwriting. Routledge.
  • Field, S. (2015). Screenplay: The Foundations of Screenwriting. HarperCollins.
  • McKee, R. (2003). Story: Substance, Structure, Style and the Principles of Screenwriting. Methuen Drama.
  • Snyder, B. (2014). Save the Cat! Writes a Novel: The Last Book on Novel Writing You'll Ever Need. Chronicle Books.
  • Truby, J. (2011). The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber & Faber.
  • Nelson, H. (2012). The Art of Screenwriting. Amsterdam University Press.

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