Outline And Annotated Bibliography Of Black American Music:

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Outline and Annotated Bibliography Black American Music: Ragtime I. Introduction Outline and Annotated Bibliography Black American Music: Ragtime I. Introduction II. Background a. Brief History of Ragtime III. Characteristics of Ragtime a. Prominent characteristics b. Additional characteristics IV. Historical figures a. Ragtime composers i) Scott Joplin- The King of Ragtime ii) James Scott iii) Joseph Lamb iv) Jelly Roll Morton v) Eubie Blake vi) James P. Johnson V. Styles of Ragtime i) Cakewalk ii) Characteristic march iii) Ragtime song iv) Classic rag v) Novelty and stride piano VI. Influences of Ragtime on music and society a. Music i. Music legacy ii. Contribution to early models of jazz iii. Reshaping other styles b. Society i. The rising of the movement to preserve African-American heritage ii. Racism and black exploitation VII. Conclusion ANNOTATED BIBLIOGRAPHY Berendt, J.-E., & Huesmann, G. (2009). The jazz book: From ragtime to the 21st century. Chicago, Ill: Lawrence Hill Books. The book gives the best interpretive history of Ragtime jazz by surveying critically ragtime composers, instruments, styles of Ragtime and the contribution of Ragtime to the world’s musical culture and society. Binkowski, C. J. (2012). Joseph F. Lamb: A Passion for Ragtime. Jefferson: McFarland & Co., Publishers. The book focuses greatly on the enthusiasm and passion that Joseph F. Lamb had on ragtime music alongside the other two renowned ragtime composers and singers—Scott Joplin and James Scott. As a champion of Joplin’s ideals, Lamb is seen to return to composing and singing of ragtime and gained recognition long after the end of ragtime. Jasen, D. A. (2007). Ragtime: An Encyclopedia, Discography, and Sheetography. Taylor & Francis. The book is a definitive reference about ragtime music and jazz, with detailed biographies of great composers, their compositions, a comprehensive discography of recordings, and a detailed sheetography of published rags. Students are to

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Outline and Annotated Bibliography Black American Music: Ragtime I. Introduction Outline and Annotated Bibliography Black American Music: Ragtime I. Introduction II. Background a. Brief History of Ragtime III. Characteristics of Ragtime a. Prominent characteristics b. Additional characteristics IV. Historical figures a. Ragtime composers i) Scott Joplin- The King of Ragtime ii) James Scott iii) Joseph Lamb iv) Jelly Roll Morton v) Eubie Blake vi) James P. Johnson V. Styles of Ragtime i) Cakewalk ii) Characteristic march iii) Ragtime song iv) Classic rag v) Novelty and stride piano VI. Influences of Ragtime on music and society a. Music i. Music legacy ii. Contribution to early models of jazz iii. Reshaping other styles b. Society i. The rising of the movement to preserve African-American heritage ii. Racism and black exploitation VII. Conclusion ANNOTATED BIBLIOGRAPHY Berendt, J.-E., & Huesmann, G. (2009). The jazz book: From ragtime to the 21st century. Chicago, Ill: Lawrence Hill Books. The book gives the best interpretive history of Ragtime jazz by surveying critically ragtime composers, instruments, styles of Ragtime and the contribution of Ragtime to the world’s musical culture and society. Binkowski, C. J. (2012). Joseph F. Lamb: A Passion for Ragtime. Jefferson: McFarland & Co., Publishers. The book focuses greatly on the enthusiasm and passion that Joseph F. Lamb had on ragtime music alongside the other two renowned ragtime composers and singers—Scott Joplin and James Scott. As a champion of Joplin’s ideals, Lamb is seen to return to composing and singing of ragtime and gained recognition long after the end of ragtime. Jasen, D. A. (2007). Ragtime: An Encyclopedia, Discography, and Sheetography. Taylor & Francis. The book is a definitive reference about ragtime music and jazz, with detailed biographies of great composers, their compositions, a comprehensive discography of recordings, and a detailed sheetography of published rags. Students are to

Outline and Annotated Bibliography Black American Music: Ragtime I. Introduction

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