Research Paper Submit: At Least 500 Words For This Section

Research Papersubmit At Least 500 Words For This Section Of The Assign

Research Papersubmit at least 500 words for this section of the assignment. You are required to cite a minimum of 3 sources for this paper. Choose one of the following art movements: • Realism • Impressionism • Dada • Pop Art. Include the following: • The public’s reaction at the time of its introduction • Why it is now accepted as “art” • Its influence on the movements that followed it • Examples of artwork and their historical/cultural values. The paper must be formatted according to MLA standards. Please be sure to enclose all direct quotes in quotation marks and cite the sources of your information internally and in a separate Works Cited list as shown in the MLA examples. (Remember that a direct quote is at least three words in a row taken from another source). Be careful not to closely summarize or paraphrase from sources by switching words around or just leaving out a word or two. ("Quoting, Paraphrasing, and Summarizing": The best resources (primary resources) are what we refer to as peer-reviewed sources. These would be journal articles written by professionals in the field; for example, in such publications as Art in America. Journal articles related to art can also often be found on museum web sites and certainly, at our library. Recent editions of textbooks are another good source of information. NEVER cite information from the following publicly edited junk information sites: Wikipedia (the worst offender), Ask.com, About.com, Infoplease, etc. Resources suggested:

Paper For Above instruction

The artistic movement of Impressionism, which emerged in France during the 1870s and 1880s, marked a significant departure from traditional academic art. This movement was characterized by its focus on capturing the fleeting effects of light and atmosphere, often through the use of loose brushwork and vibrant colors. The public's reaction at the time of its introduction was mixed; while some critics dismissed Impressionism as unfinished or inadequate, a growing segment of viewers and artists appreciated its fresh approach to capturing modern life.

Impressionism’s revolutionary approach challenged contemporary standards of art and faced ongoing criticism for its apparent disregard for precise detail and traditional compositions. Critics derided the movement as superficial or chaotic, arguing that it lacked the seriousness and technical mastery of academic painting (Rewald, 1973). However, these pioneering artists, including Claude Monet, Pierre-Auguste Renoir, and Edgar Degas, prioritized individual perception and visual experience, which ultimately led to a broader acceptance of Impressionism as legitimate art (Harrison & Wood, 2011).

Today, Impressionism is regarded as a foundational movement that transformed the art world. Its departure from realism to depict modern urban and rural scenes with vibrant color palettes has influenced many subsequent styles, including Post-Impressionism and Modernism. The movement’s emphasis on capturing the essence of a moment rather than a precise, detailed representation laid the groundwork for future artistic experimentation, inspiring countless artists to explore new techniques and perspectives (Rosenblum, 1984). Notable examples such as Monet’s “Impression, Sunrise” exemplify how a single moment’s fleeting beauty can be monumental within art history, encapsulating the movement’s core values of perception and atmospheric effects (Monet, 1872).

The influence of Impressionism extends into contemporary art, as many modern artists continue to explore light, color, and momentary impressions in their work. The movement also significantly impacted the development of Impressionist-inspired movements such as Post-Impressionism, which introduced new symbolic and emotional elements to the naturalistic foundation established by the Impressionists. The legacy of Impressionism lies in its challenge to traditional techniques, advocating for a more subjective and immediate approach to capturing reality, which remains a vital aspect of artistic expression today (Livingstone, 2011).

References

• Harrison, C. & Wood, P. (2011). Art in Theory 1900 – 2000: An Anthology of Changing Ideas. Oxford University Press.
• Livingstone, M. (2011). The Monet Effect: Painting Light and Atmosphere. Thames & Hudson.
• Monet, C. (1872). Impression, Sunrise. Musée Marmottan Monet.
• Rewald, J. (1973). The History of Impressionism. Museum of Modern Art.
• Rosenblum, R. (1984). Paintings in the Search of a Style: The Post-Impressionists. Harper & Row.