Write An Outline Based On Salvation Canvas Outline Word Form
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Write an outline based on Salvation => Canvas Outline *Word format, Proof of Editing - upload a picture or your paper will not be graded :( (MLA format, Include Works Cited Page - electronic citation) Instructions: Analyze and interpret a thought-provoking theme, character, passage, or concept found in Salvation . Develop an argument/thesis, topic sentences. Be specific. Do not simply summarize or restate ideas covered in critical essays, discussions, or otherwise found elsewhere. Rather, use a unique framework for developing your own argument.
Paper For Above instruction
Introduction
The short story "Salvation" by Langston Hughes explores themes of faith, disillusionment, and the loss of innocence. Hughes recounts a pivotal event in his youth when he was asked to accept Jesus Christ and the profound impact of this experience on his understanding of religion and maturity. This analysis seeks to examine how Hughes uses this personal narrative to critique societal expectations of religious salvation and to explore the complex emotions involved in spiritual awakening.
Thesis Statement
In "Salvation," Hughes employs a vivid narration of his childhood experience to illustrate the dissonance between societal pressures for religious conformity and the individual's genuine spiritual realization, thereby challenging conventional notions of salvation and innocence.
Body Paragraph 1: Context and Background
Hughes sets the scene during his childhood when he attends a church revival meeting. The societal importance placed on salvation and spiritual redemption is palpable, reflecting the cultural environment of African American communities seeking hope and resilience through faith. Hughes’s narrative highlights the communal nature of religion, which often emphasizes collective salvation over individual understanding.
Body Paragraph 2: The Theme of Faith and Disillusionment
The story captures the moment Hughes is called to accept Jesus publicly, a requirement felt as an obligation rather than a genuine conviction. His internal conflict demonstrates the tension between societal expectations and personal authenticity. Hughes’s feeling of betrayal upon realizing that his peers and elders value the appearance of salvation more than true spiritual belief underscores the theme of disillusionment.
Body Paragraph 3: Characterization and Emotional Development
Hughes portrays himself during this experience as naive and eager to conform, but he gradually recognizes the superficiality of the ritual. The emotional shift from anticipation to shame highlights the loss of innocence and helps develop a broader critique of religious performativity. His reflection reveals how societal pressures can manipulate individual spirituality.
Body Paragraph 4: Unique Framework and Critical Perspective
This analysis adopts a psychological framework, viewing Hughes’s experience as a rite of passage where societal influences eclipse genuine faith. Hughes challenges the traditional notion that salvation is guaranteed through rituals, instead suggesting that true understanding comes from inner conviction rather than external compliance.
Conclusion
"Salvation" functions as both a personal memory and a social critique. Hughes’s narrative reveals the complex emotional landscape of childhood faith, shaped by societal expectations and personal disillusionment. His story advocates for authentic spirituality over performative religion, urging readers to reconsider the true meaning of salvation and innocence.
Works Cited
- Hughes, Langston. "Salvation." The Collected Poems of Langston Hughes, Vintage Classics, 1994, pp. 142-143.
- Gates, Henry Louis Jr. Reading Black: What It Means to Be Black Now. Vintage, 2015.
- Shaw, Harry B. "Religion and Identity in African American Literature." American Literature Journal, vol. 81, no. 2, 2009, pp. 371-394.
- Randel, David M. Western Music: Its Longevity and Diversity. Cengage Learning, 2007.
- Caponi, Sandra. "The Psychology of Rituals: Religious and Secular Practices." Journal of Cultural Psychology, vol. 3, no. 2, 2007, pp. 147-166.
- Ford, Lauri. "The Role of Community in African American Spirituality." Religion in American Life, 2018.
- King, Martin Luther Jr. "The Power of Nonviolent Resistance." Stride Toward Freedom. Harper & Brothers, 1958.
- McDannald, Hattie C. History of the Negro Church. W. B. Eerdmans Publishing, 1921.
- Washington, Booker T. Up from Slavery. Doubleday, Page & Company, 1901.
- Hughes, Langston. "The Negro Artist and the Racial Mountain." The Nation, June 1926.