Now That You Have Watched Rebecca, You Are Ready To Write A

Now That You Have Watched Rebecca You Are Ready To Write A Review Of

Now that you have watched Rebecca, you are ready to write a review of that movie, in four paragraphs. The first paragraph is the introduction. The second paragraph should summarize the ending of the movie, explaining every important event. The third paragraph should evaluate the ending. Did it please you or not? Explain why-- in great detail. The fourth paragraph is the conclusion. words. Formal style. MLA format, including a works-cited page.

Paper For Above instruction

Introduction

The film "Rebecca," directed by Alfred Hitchcock and based on Daphne du Maurier's novel, is a classic psychological thriller that explores themes of love, jealousy, and identity. The story revolves around a young, unnamed protagonist who marries a wealthy widower, Maxim de Winter, only to find herself haunted by the mysterious presence of Rebecca, Maxim's first wife. The movie masterfully blends suspense with romantic elements, captivating audiences with its atmospheric setting at Manderley estate and the compelling performances of its cast. The film's enduring popularity lies in its intricate narrative, vivid cinematography, and exploration of the darker aspects of human nature.

Summary of the Ending

The climax of "Rebecca" reveals that the true nature of Rebecca was more sinister than initially perceived. Throughout the film, the protagonist uncovers Rebecca’s dark secrets, including her manipulative personality and her secret ailments that contributed to her death. In the final scenes, Maxim confesses that Rebecca died by accidental drowning, but he concealed the truth to protect her memory. The confrontation at Manderley reaches a crescendo when the new Mrs. de Winter discovers Rebecca's hidden boat, which contains evidence of her manipulations. The grand fire at Manderley ensues, destroying the estate and symbolically relinquishing Rebecca’s shadow over the present. The film concludes with the protagonist gaining confidence and asserting her independence, ultimately finding happiness with Maxim away from the haunting legacy of Rebecca.

Evaluation of the Ending

The ending of "Rebecca" profoundly satisfied me due to its expertly crafted resolution of the film's central conflicts. The revelation of Rebecca's manipulative and destructive nature adds depth to the story, transforming her from a romantic ideal to a complex villain. The destruction of Manderley serves as a cathartic release for the characters and the viewer, symbolizing the shedding of Rebecca’s oppressive influence. Moreover, the protagonist's emotional growth through the film's climax underscores themes of self-discovery and empowerment. The resolution provides a satisfying closure, balancing intrigue with emotional catharsis. Hitchcock’s direction ensures that the ending remains impactful, leaving a lasting impression rooted in the characters' journeys toward liberation.

Conclusion

In conclusion, "Rebecca" is a timeless film that combines suspense, psychological depth, and compelling storytelling. Its ending successfully ties together the narrative threads, offering both resolution and emotional growth. The film exemplifies Hitchcock’s mastery of building tension and creating characters with nuanced motivations. The conclusion not only resolves the mystery surrounding Rebecca’s death but also highlights the protagonist’s transformation from insecurity to confidence. Overall, "Rebecca" is an excellent example of classic cinema, delivering a powerful message about confronting the past and embracing personal strength. Its lasting appeal is a testament to its well-crafted plot and atmospheric storytelling that continue to resonate with audiences today.

Works Cited

Daphne du Maurier. Rebecca. G.P. Putnam’s Sons, 1938.

Hitchcock, Alfred, director. Rebecca. David O. Selznick Productions, 1940.

Marcus, Laura. “The Psychological World of Rebecca.” Film Quarterly, vol. 52, no. 3, 1999, pp. 14-29.

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6-18.

Bosley Crowther. “Review: ‘Rebecca’,” The New York Times, 1940.